Thu Aug 3 // Fri Aug 4 – Hummingbirds, Hummingbird Posers and Diffusion Bees

An incredible thing has just happened. As I sat down on my little table outside, freeing the famous swimming dog to exercise her capacity for infinite joy in her swimming, to write this post, our friendly neighborhood humming flew up to me, two feet in front of my face, at eye level, looked me in the face, and pooped. A tiny white squirt came out of its butt. Now tell me, if that is not blessed, a sign from the divine, what is? It’s that or nothing. The great creator letting me know that it’s a good idea I’ve got, writing this post. This one is for you little hummingbird.

I actually do have a photo of this little birdie, I’m remembering now!

A little blurry because I was shooting through window glass. Sue me. This is the bird. There may be two though. I’m feeling right now like I’ve seen two at this feeder together. Will have to ask the other resident birder (Mom). They like to drink this stuff. Delicious sugar water.

Now this is a great lead-in for the first of our two main topics in this post. A hummingbird-like creature was spotted in the vicinity recently. A creature known in some scientific circles as a Sphingidae.

When you hear the word Sphingidae, what comes into your mind? I’ll give you a minute.


Bing! Times up. Here is the Sphingidae.

If this is your first time seeing one of these creatures, you may be in awe. You may be spectacularly dumbfounded, and I would understand. I certainly was, the first time I saw it. But I saw one out in the wild, outside of my apartment in little old Ozu, in the flower patch with all the cosmos. I stopped to take a goosey gander and my eyes landed on this hummingbird, and the more I started to look at it, the more I started to think, something is wrong with this hummingbird. And I stood there and stared for at least ten minutes, my brain trying its absolute best to comprehend this small, confusing creature that was before me. In all ways it looks like a hummingbird, is a similar size, shape, fluttering about manically, and it moves quick, so you can’t get a good look. I left there not having any idea what it was, but with the feeling that there was something very strange out in the world. I spent a long time wondering what that was until I finally found it in a bug book my neighbor Tamanaga san gave me. In large, beautiful illustration was the hummingbird creature outside of my apartment, and beneath it was written, Sphingidae. (In Japanese, which is スズメガ科). And the name of the Japanese one, is the Oosukashiba. オオスカシバ. I don’t know what that means. Cephonodes hylas. It’s some kind of moth. Are you shocked? It is a moth that is a hummingbird mimic. I tell you, crazy things are happening in this world.

Oosukashiba – the hawk moth outside of my apartment in Kumamoto

I don’t know what I’ve got in my yard, but it’s not one of these. It doesn’t have the yellow butt. And it has red wings. There can be a lot of variety even within a species though, and between males and females, but this is something else. Apparently the range of the Japanese one is more or less, Asia.

I also saw a nice swallowtail. We all know about those.

So, the next time you see a hummingbird hovering around your flowers.. look closely. Might not be a hummingbird at all. (Might be a Sphingidae.)

Ok, I’ll stop saying Sphingidae. Moving on then. The second topic.

I spent all night last last night making AI art. It’s kind of addicting. We all loved the Picasso AI cats. Let me show you something else.

I’m using DiffusionBee to do this, which is an app that runs off of Stable Diffusion, and is totally free.

This is a gallery of images under the prompt, “creatures in a phantasmagorical universe”. With some extra bells and whistles, like beautiful lighting, cool color palette, and pastel art. DiffusionBee does well with the abstract stuff, like phantasms, and Picasso. In fact, I have a few images of Picasso phantasms as well, as I know you’d like to see.

I personally think that these are stunning works of genius, and if anybody painted this I would think they were a total genius. It is interesting for the art world, because part of what’s so impressive about the work of an artist like Picasso, is the fact that such a thing was able to come out of his brain. That alone, and then you are impressed by the technical skill required to execute the vision. But the real money is in the concept, in the vision. Clearly DiffusionBee has no problem with that. And if somebody just used AI to make an interesting and original artwork, and then simply replicated it in the real world, they would only be using technical skill, and they could just say that it was their idea. Very interesting for the art world, for creators.

Just to show you a little more of what DiffusionBee can do.. creatures in a phantasmagorical desert.

You can see again, DiffusionBee handles abstract works very well. It’s good where something doesn’t have to be perfect, and there’s room for imagination in the work. But something like, “Barack Obama riding a skateboard.” That’s a struggle.

This was the best one, out of twenty. (I do really like this one.) I’ll spare you the others. After this next one.

It was only so long before I wanted to know what was going on under the hood of DiffusionBee, so that I could better control the output. I did some experimenting and learned a bit about how it works, which is pretty fascinating. So, let me tell you about it and then my twilight binge experimenting may have actually done something for humanity.

This is what the app looks like. You type in your prompt, hit generate, and something comes out. You can generate by text, or based off of an existing image, or draw some stuff on top of an image. A few ways to do it.

And here are some of the parameters you can tweak.

About image generation – The image is formed over a series of “steps”. At each step, something is added or taken away from the image. The image is modified in some way, to execute whatever vision the AI has for the image. You will see that the AI builds the image in a very organic manner, I think, that it is not predetermined what the end point could be, but it is literally created over a series of steps. Let me show you what I mean.

This image is our starting point. It was the basis for much experimentation. The exact parameters and prompt are:

Seed : 54447 | Scale : 16.95 | Steps : 22 | Img Width : 896 | Img Height : 896 | Negative Prompt : human, person | model_version : 1.5 | Sampler : ddim | Similar Imgs : No
Prompt: “creatures in a phantasmagorical universe, Warm Color Palette, Beautiful Lighting, Pastel Art”

The maximum number of steps is 75. This image took 22 steps to make. I used the exact same settings, changing only the step count, to see what was happening along the way, and what effect the number of steps was really having on an image. I can’t figure out how to add captions (lame). The sequence is 1 2 3 4 5 6 7 10 22 30 50 75 (number of steps). Take a gander.

It’s pretty incredible right? Shape, structure, life formed out of primordial ooze. Just like how the universe as we know it was created. Some of my thoughts here.. error on step 3, don’t know about that error. The image is gradually defined across the steps, but the amount of change seems to vary drastically. It would be interesting to know how exactly DiffusionBee determines how much work to put into a step. I would imagine it was determined by some standard metric, maybe time, or amount of data. The unit of generation is s/it, so possibly determined by a set number of iterations? If that is short for seconds per iteration. The difference between steps 6 and 7 is massive, and the difference between steps 22 and 75 are really minute. The image is pretty much fully formed at around 22 steps, and any more, the program just doesn’t really know to do, because it’s basically done. This is good to know when generating these, because it takes about 5 minutes for my computer (a powerful Macbook Pro, 16 GB of Ram, M1 processor) to make this image with 75 steps, and only about 2 minutes at 22 steps. 10 steps was maybe 30 seconds. The image is quite different along the way, at the earlier steps being smoother, wispier, and even with totally different content. At step 10 the subject creature has a trunk, and even has an eye. As the image evolves, that creature is lost to the less-interesting fire cat. Sorry firecat. There is also the whole manta ray-like creature, looming up above, that degenerates into the background. So, you can have a totally different image from one step to another. I saw this again, it was really shocking, in the following sequence of images. These are images of steps 6, 10, and 12, of a different prompt of phantasmagorical creatures. At 6 steps, no creatures, at 10 steps, BOOM, so many creatures! and then at 12, gone again. Blink and you’ll miss them! Truly phantasmic creatures. So if you generate this image on any settings but 10 steps, you’d think your prompt failed and you came up empty, when it isn’t true. This series in particular really left me feeling that 10 steps was a magic number, along with 6 and 22.

So.. this is the effect that step number has on an image. Based on the step count, you can have vastly different images. More steps is not necessarily better and can even be less desirable. I didn’t only play with step count. I played with seed number, and the effect of words in the text prompt. My eyes are tired of all this squinting, since I’m writing outside, and my post is starting to lag for whatever reason, so I’ll save that for the next post. Arigato robotos, and more DiffusionBee talk next post. 🙂

The Famous Swimming Dog, AI Picasso Cats, Joy and Appreciation of Nature

picasso cat drinking milk

*Written August 2nd, 2023, from my parent’s home in Indiana.*

Today has been a lazy day, and I have spent the day as such. Just lazing about. Some days you just really don’t feel like grinding. You have no desire to check off the boxes on your to-do list, and you really can’t be bothered to take any of the steps you know you’re supposed to be taking towards achieving your goals and dreams.

That has been today, for me. But, (I’m telling myself this at least), what’s great about life is that you can do nothing at all and actually still make progress.

I think that’s a great thing about life. That some magic happens when you’re just sitting around doing nothing. And today, that’s been happening. I’m just existing, and letting the magic of the universe do its thing.

My dog does this every day. She’s just existing. She’s really good at that. And I’m sure this is one of the major reasons why we love animals so much. They help pull us out of our super-mega-fantasy brain world that teleports all across time and space and conjures up all kinds of wacky and wild and anxiety-inducing scenarios, and into reality. Into the present, you know. The here and now.

Me and my gal, we’ve been swimming. Every day, we swim. We’re lucky enough to be able to do that these days, being on a small lake in the summer, and we’re taking full advantage of it. It’s a blessing, a blessed thing. We both agree. Every day around noon, she starts to pester me. She comes right over to me, plops her fat butt down on top of me, starts pushing on me with her nose, and tries to eat my hands. Alternatively, she will just stand next to me, and stare. You know exactly what she wants, and you know she knows you know exactly what she wants. It’s swim time. She’s waited patiently all morning, for you to do your morning business, she’s been patient, and waited long enough. And now, it’s swim time. These days, it’s the only thing on her mind. It’s everything she’s living for. You can see it in her eyes, and by the way her face lights up when you say the word, the word that she has oh so keen an ear for, the S word. You have to be careful, very careful when you say it around her. I noticed she was going crazy around me when I would be walking around without a shirt on, and I realized it was because she thought we were going swimming. She knew I was always shirtless. So today, after my morning work, of some emailing, some phone calling, and some generation of AI cats drinking milk from saucers in the style of Pablo Picasso, and I sat down to play a little guitar, Daisy decided it was swim time, and came right over and sat her butt down on top of me. Into the water we went!

(Oh, did you say you wanted to see those Picasso cats?)

Tell me, are they not genius? DiffusionBee took 20 seconds to make each one. The exact prompt “orange kitten drinking milk from a bowl, by Pablo Picasso”. These are the cream of the crop. I cranked out hundreds, at least fifty. It’s addicting, making these things. You never know what’s going to come out, and when you land on a really juicy prompt like this one, you just don’t want to stop. (Yesterday I spent seven hours churning out AI images.)

Daisy likes to splash and snap at the water with her massive maw. She is very otter-like in the water. Or a giant water rat. My dad has taken to calling her “the famous swimming dog.” She is renowned throughout the neighborhood. A couple weeks ago I let her loose, which is an incredible joy to see, that first sprint off the pier, the leap, and the plunge into the water. There is a perfect freedom in it, a total, raw, unbridled joy. It is one of the most beautiful things in the universe, and I hope that everyone can find something that they love as much in their lives as Daisy loves swimming. I let her loose and it was so joyous that I had to applaud, and cheer, from the main floor deck balcony, and as I did so, two neighbors across the lake joined me in celebration. We were celebrating joy, and there to bear witness to the presence of great joy in the world. After she exhausts herself swimming around with me and splashing her heart out, she will patrol the shores, going both ways, out to the neighbors, striding through the filthy muck-silt and the shallow water, climbing on the small rocks that line the shore, prowling for fish and other creatures. Our lake was carved out of a bog, and would probably immediately revert back to a bog if not maintained by people. I think it’s not that old and only fifty years ago or so was a bog. We have a spring right out from our pier, and the water is ice cold, shooting up out of that spring. Daisy will then spend most of her time, after all her patrolling, on the pier, looking down into the water, at the fish. We have a sizeable pontoon boat, and in the gap between the boat and the deck, she sticks her head and looks for fish. I stuck my head down there with her the other day and looked too, and it was just like being in an aquarium, standing at the aquarium glass, the fish would swim right by, with no sunlight reflecting off the water, so you could get a really clear view. She tried to chomp some of them. I think the fish must like it too, playing with her. Sometimes she will get too excited and fall into the gap. She swims around to the front of the pier and climbs up the ladder like a regular human. The more exhausted she is the harder it is for her to lug her big butt up out of the water. She has a really massive butt.

She likes to play a game where she will try to jump directly on top of you when you dive into the water. It’s dangerous if she succeeds because she has razor sharp talons and will marr your baby soft skin with them when she lands on you. She’s smart though, and is hard to fake out. So you can try and fake her out, try and wait her out, or just go for the dive and hope that you get far enough away that you’ll be safe. I’ve left my legs trailing on some of the dives and have been severely maimed as a result. That game is more fun for her than us.

I did an exhaustive aquative workout yesterday, so I didn’t swim too much today. Mostly I sat in a shaded spot not far from the water, in the shade of some large tree-bush with large bell-shaped white flowers. We have these giant trees, called cottonwoods, with leaves that rustle beautifully in the wind. A very soft and soothing rustling. They piss a lot of homeowners off because they spew crap throughout the year, thousands and thousands of airborn fluffy white seeds, pod seeds, like a string of green beans, sticky, incredible sticky seeds, coated with a powerful superglue sap.. and worse, they shed their limbs too easily, and have to be pruned all the time. I know this because I recently commented on them to my dad, about how much I loved the cottonwoods, and his response was, “If I had the money I’d cut them all down.” And I was aghast, and then he gave me his reasoning, and told me the money he spent pruning them, and I thought, well that’s fair. They go through multiple phases of releasing their seed into the world, first via extremely sticky pods that will adhere to anything, especially bare feet, and then fuzzy dandelion-esque whiteness, that when it really gets going makes it look like snow in summer. Not the best for homeowners I suppose, but their leaves make such beautiful rustling sounds, and the birds love them. The birds really love them. We’ve had orioles, nuthatches, red-winged blackbirds, hawks, woodpeckers, and recently even a kingfisher in them. And of course, we’ve had Jimmy Squirrel. He has made the cottonwood right outside of our living room window his estate, in fact. But anyways, I sat in the shade, in the grass, and kind of just zoned out. I wasn’t intentionally meditating, but I wasn’t thinking too hard about anything either. Zoned out is really the right word. Zoned out, and let time pass, and listen to the rustle of the cottonwoods, and watch Daisy play in the water. While I did this, I watched the little microbugs crawl all over me. This was only like two hours ago, by the way. I’m sitting outside now as I type this because I felt like doing something. They were some of the tiniest bugs you’ll ever see. Two of them were extremely tiny Hymenoptera, which are the bees, wasps and ants, and I’m not sure what it was, and I don’t think it would have been a fly because it had wings that folded over onto themselves, but I’m not sure. These little bugs were about a millimeter long. If they squished together, probably two-hundred of them could fit onto my pinky nail, and I don’t have a big pinky nail. They were probably the smallest bug that visited me, but the other ones weren’t much bigger. I had a nymph mayfly on me, only slightly larger, and a very vivid, fresh green color. That one was really tangled up in my belly button hair, and I thought it was going to fall into my bellybutton, where it might never get out. I didn’t exactly want that to happen, but I was ready to see it. There was a small beetle on me, one of the long ones with the big butts. I don’t remember what they’re called. Buprestids, maybe. Then, of course there were ants, which tickle too much, and I threw them all off. There was a little, tiny, tiny-teensy green spider, running up my thigh. I only even noticed this spider because I was wondering why I had this giant blue vein running up the middle of my thigh, and I then I saw this little spider. It was so small and light that my nerves simply couldn’t register it. That was adorable. It had a body that was light green like celery, with a little yellow circle around its dark-green cephalothorax. (You know, that’s what spiders have. A cephalothorax.) Body and head is fused. That would look horrible with humans. And that reminds me, as I sat there and played with a stick, I thought, me picking a stick up off the ground is kind of like me picking somebody’s severed arm up off the ground. Kind of morbid, if you think about it. I liked having these microbugs climb all over me. I felt like a giant, a giant tree. We really are giants, comparatively. Even a baby human is absolutely massive compared to a small jumping spider. I don’t think those little microbugs knew any different, that they were crawling on a tree, on the earth, or on a big ol’ human, and that was nice. I liked that. They accepted me for the lump of matter that I really am, and made me feel like I was really a part of the fabric of life. That’s why I like spending time in nature. You don’t often get that feeling sitting around on your computer, or driving your car. But it’s a very important one.

Also while I was sitting there, I heard a strange, furious fluttering sound, and looked up to see a large hummingbird right over my head. It was getting some drinks from the big white bellflowers. I watched it there about a foot from my head, and it even rested on the branches. That’s a real treat, to see a hummingbird just chilling out. My grandma noticed one the other day, I’d bet the same one, from our window in the kitchen, seated in a tiny curve in a skinny branch, like it was sitting in a little swing. Like a little doll in a dollhouse. They are the most fragile and adorable looking creatures ever. A tiny, beating, fluttering emerald and cream jewel. It must live around here. It’s a good place to live, for a hummingbird.

Well, I’m finished writing. That was nice. Two swallowtails have just started dancing, right in front of me. Two gorgeous, yellow butterflies.

Splash moment
The Famous Swimming Dog
Catching water droplets in her giant maw

Austin And His Dogs オースティンと彼の犬

We’re back, we’re back. I’m sorry. It’s been awhile, I know that.

How are you guys? Doing good? I’m doing good, thanks.

We’re back, we’re back. I’m sorry. It’s been a while, I know that.

How are you guys? Doing good? I’m doing good, thanks.

When I write, recently, it feels like I’m talking to myself. And only crazy people do that. Crazy people and the Japanese. They’ve even got a specific word for it – 独り言。Hitorigoto. It means self-talk, and my tantosha does it all the time. It took me a while to get used to all this self-talk. I think it’s something us Americans aren’t used to, at least I wasn’t used to it, people sitting next to you talking to themselves out loud, as loud as they might if they were trying to talk to you – which is what I thought they were doing. But they weren’t talking to you, they were talking to themselves. Japanese people aren’t crazy, at least not all of them. They just do this sometimes. They don’t do it all the time, either. They don’t do it on the train, for instance. They would be thought of as a bit of a nut, I think, if they did that. At least I would think they were a bit nutty. But people don’t talk on the train, not often, not even to themselves. They talk a little bit, but mostly, they’re quiet. It does depend on the train, and where you’re going. If you’re squadded up with a crew of ごきげん high-spirited sightseers, you’ll have a better time striking up a conversation, then if you’re on the late night, coming back from a soul-crushing day of work train. I don’t ride that one much. I bike to my job. I’m not an expert on this topic. I haven’t tried to strike up too many conversations during public transport. I did try to ask two ladies, separately, on a bus, if I had missed my stop, and both of them ignored me. One had headphones in, and the other was older, and I’ll say that she could have been somewhat deaf. I don’t know for certain that she intentionally ignored me. Headphone girl definitely did. She was sitting behind me, though, directly behind me on the bus, and when I turned around to ask, my face was already pretty close to hers, much closer than I expected, and with the headphones in and all, she had no idea what I said, and then add the fact that I’m not Japanese, and we’re on a bus, and I can’t blame her for getting all deer-in-the-headlights on me. Actually, she looked like she was about to have a heart attack right there on the spot. Her eyes almost popped out of her head. I thought about asking the question again, but I saw the headphones, and it was already so awkward, with our faces being so close and all, that I just turned back around. I did miss my stop. I rode that bus all the way to the depot. I asked the bus driver if we ever stopped at my stop, and he said, “What? What stop? I don’t know what you’re talking about, crazy guy. Please pay the money and get off the bus.” Turns out I had the name of the stop wrong. Those damn kanji. You would think I would remember the name of the stop now, having gone through that. I don’t. I would probably still get it wrong, if I rode that bus again. I’m like that. It takes me a while with names. Somehow words with meaning, words that I can use to explain things, or describe things, they stick fine. It’s just that names are so abstract to me. They don’t seem to fit anywhere into my mental schema. They may as well be a series of random numbers. If you introduced me to a person and told me their name was 16840A, I might have an equal chance of remembering it, as if you told me their name was Tom Pantaloon. Alright, that’s a lie. If you introduced me to a guy named Tom Pantaloon, I’d never forget his name. This is what happens when I talk to myself and no one is responding on the other end. I’ll just ramble.

I ramble a lot, on these posts. I know. Of course I don’t want to give you a bunch of ramblings. I want to give you something better than that, with a plot, with an arc, with a payoff. We love the payoff. But, I don’t know. Maybe you like the rambling. Still, we need some kind of payoff, in writing, in stories. Is there any great work that consists entirely, solely of a series of ramblings? Moby Dick is kind of like that, but he has an overarching theme for the ramblings, and a major payoff in the end. You can diverge all you want, as long as you have something to come back to. And we do have that here, because there is one thing that I absolutely want to tell you in this post, and we better start with that first, because we only have so much time, and the other things I want to tell you, if we start with them, we’ll never, ever get to what I absolutely want to tell you, in this post.

The funny thing is this: an extraordinary occurrence during a quite eventful game with an intensely interesting person named Austin, and involving dogs. I know it’s vague, but I can’t give you much more than that. Not without spoiling it for you. And first, we have to start with Austin, the hero, who is to be the main character of this comedy. 

Austin is from Kansas.. probably. We can say for sure that he has at the very least spent some time in Kansas. He’s been there. I know for sure that he has also spent some time in Oklahoma, and most likely in Arkansas as well. Which he calls, Ar-kansas, by the way. Did you know that there are people calling Arkansas Ar-kansas? I didn’t know anybody called it that, but he does, and he told me that’s what people from Arkansas call Arkansas.. which is interesting, because if you say it that way, the way that it wants to be said, because you know, Kansas is Kansas, and if you put an ar in front of it, why the hell would we suddenly change the end of the word to aw, but that’s what we do.. if you say it the Ar-kansas way, people will look at you funny, or tell you you’re wrong. Except for the people who are from there, of course. They won’t look at you weird at all, because that’s how they say it. So everyone else has it wrong, except for the people who live there. And it’s not like they’ve chosen to make it fancier or anything. The way they say it is the way that it reads. It’s the natural way. So how the hell did the whole rest of the world pervert the name? I don’t know. I guess the same thing happened with Louisville. I guess people from Louisville actually say Louis-ville, and everybody else says Louey-ville, and if you go there and call it Louey-ville, they’re miffed. Or at least they know, you are not a true Louisvillian. Austin is from this region of the United States, “the part of the United States that nobody really talks about.” (His words.) And I had to laugh at that. It’s kind of true, isn’t it. You don’t hear a lot about Oklahoma and Arkansas. I don’t know,  if you’re a sports fan maybe you do. They’ve got some good sports teams, probably. Basketball and football. I guess it’s not necessarily a bad thing if nobody talks about your area, because it might just mean that everything isn’t going to crap there, or at least it’s going to crap faster in other places, but.. I don’t think that area is doing too hot. Not according to Austin. 

Anyways, Austin is from Kansas. Austin is a burly brother. His dad is even burlier. His dad is at least 6’4″, bald, and enormous. I’m sure there are many other nice descriptors I could use to describe him physically but I’m just going off of what I’ve got, here. (I realize that describing someone as “bald and enormous” is not the most flattering description, okay. What do you want me to do?) Austin showed me a picture of his dad wearing an eyepatch, as he’d ruptured his eye, and naturally it was quite bloody, and of course, he looked exactly like a pirate. He showed me another picture, no eyepatch, and in that one his dad looked like a perfect cross between a Viking and Santa. If Santa were a Viking, he would be Austin’s dad. Austin has the strapping muscularity but missed out on the height genes. Ah, the genetic lottery, so fickle! For his giant Viking dad, somehow Austin ended up shorter than me, who is a respectable 5’11” and ¾, as the nurses insist on saying (Why take that away from me? Why can’t I be 6’?). Not bad for an American, but nothing to write home about. In the great genetic lottery he did win big Viking bones, and balding. He’s hairy everywhere else except for his head. A bit like a werewolf permanently stuck in mid-transformation. The Japanese kids love to pet him, like he’s a big, furry teddy bear, or Bigfoot. (Japanese children just like to touch people. That’s kind of their thing, and they especially like touching foreign teachers, like they’re some kind of strange, newly-discovered creature, because that’s actually what you are to a Japanese 6 year old.) 

The Japanese aren’t hairy. Austin must rank in the top 5 hairest men in Kumamoto, and he’s really not even that hairy.) The parts of him that are hairy are really hairy, and the parts of him that aren’t, are completely hairless. There is a stark divide between hair and no-hair zones on Austin’s body, such as at the upper, upper forearm, also known as right below the elbow. Similar to how on a mountain, there are certain plants and trees that grow, thrive all the way up until a certain elevation, a certain cutoff, and then boom, no more. They just can’t survive past that point. And you see the same phenomenon in the ocean’s intertidal zone, with more sensitive creatures, such as the mussels. The higher they move up the shore, the more time they’ll spend out of water, and at a certain point, they simply can’t handle all the desiccation, and so you have a clear boundary between where a mussel can live, and where it can’t live. Any young, free-swimming mussel child who decides to settle on the other side of that line.. God bless that mussel child. Yes, this stark, natural boundary also exists on Austin’s forearm, and also on his thigh. Nothing can grow past that point. And I know all of this, not by studying him like some kind of specimen, of course not. He just told me about it. He just tells me about these kinds of things. It’s a conversation topic, you know. When he showed me this peculiar physical phenomenon of his, I was very interested, and asked if he’d ever been burned, on his arms and legs, or if he had gone through a phase of wearing shirts that were way too tight, and he told me that he did used to wear some tight shirts. So he might have done it to himself. 

Austin has accepted his extremely premature balding as he does with most misfortunes in his life, the true, noble way – with humor and grace. He jokes about it quite frequently. Really, I think that’s your best option when it comes to balding, at least until the hair science technologies perfect the art of hair growing. What else can you do? You cry about it, or you can own it, and Austin’s owning it. You have to respect that. He came over yesterday to my place, with the original intention of getting trimmed up, by me, which I was very excited about, because I’ve never cut anyone’s hair, and I told several senseis that day, “Hi, I’m going to cut my friend’s hair tonight!!” It was big news. I was paying him back for a cut he gave me a few months ago, and he gave me his trimmer, a powerful brick of a buzzer that blows my wimpy rechargeable one right out of the water, that really buzzes when you use it. It’s a buzz you can feel. That’s how you know it’s good, when it’s got that buzz. Like a hive of bees. He gave it to me, and he wanted to get his hair trimmed up, and so we set it up, his trimming appointment with barber Steve. I invited the Brit over, Lewis, to participate in the post-trim debauchery that I will soon be mentioning (as it relates to Austin’s dogs.) But for our trimming, when Austin showed up, I said, enthusiastically, “Sit down, and let’s get to trimmin’!” And he said, “Eh, I think I’m ok.” He had been thinning, he said, and so had been worried about his hair looking too thin. I said, show me, and he showed me  his hair, the front, right above the forehead, the hairline, and it did look pretty thin to me. So, I didn’t get to cut his hair.

There is much, much more I can tell you about Austin. He’s kind of been my partner in crime ‘round these parts, being the only other young American in my small town of Ozu. I have to tell you a little bit more, because I need to be certain that you can understand that Austin is truly a funny guy. I have to impress that on you or this whole story will be a total flop. So let me continue.

Austin is Irish. That’s not supposed to be funny, that’s just to help you understand him. Irish, and maybe Austrian. For awhile, he thought he was German, but apparently, his dad recently said to him, “Actually, son, I think we’re Austrian.” So there ya go. We are all a bunch of mutts. You don’t need to know his whole life history. Oh god, I’m rambling!

Austin drives slow. As in, he drives really slow. In Japan. And that’s very significant, because people in Japan drive slow. Unless you’re the highway, where you can drive as fast you like, people be driving slow, and especially in the Inaka (the countryside). Those little Ojichans and Obachans are cruising around at 20 kph in their dainty K-cars and trucks. (Like 15 miles per hour, for real). So, you don’t want to be getting passed in the countryside. Basically, it shouldn’t ever happen to you, especially not if you are in good health and in your 20’s, and not in some way physically incapacitated or otherwise have reason to exercise extreme caution. I’ve never been passed in the countryside, and I don’t drive fast. Not by choice, but by limitation, as my little Suzuki Wagon R really doesn’t let me. It’s possible, but it takes too much commitment for me to get up to any speed that could really be considered speeding, and by the time I ever get up to such a speed, I have to stop again. So, yes, Austin is driving so slowly that he gets passed in the countryside by Ojichans and Obachans, which is quite unusual and outrageous. And why does he drive so slowly? Something about not wanting to end up in Japanese prison, I think. He had a few reasons, all of them related to his suspicion of the Japanese police force and their treatment of foreigners, if I remember right. Even if they were all really out to get him, and planned to pull him over on the smallest possible infraction, still his chances of ever getting into trouble were very, very low, because I think there are only three police officers in the state of Kumamoto, and they’re all busy with bike thieves and assisting the elderly. (Oh Japan! What a lovely country!) 

I’m not the only one who’s noticed Austin’s snail driving. When we took a trip to Ogawa to see a bunch of giant hanging fish flags (Austin, Parker and I), I was first riding with Parker, and we were caravanning, and Austin was behind us, and Parker was like, “Wow. Austin drives pretty slow, huh!” We almost lost him many times on that drive. When we got to Ogawa, after getting out of the cars, one of the first things Austin said was, “Man, that was a great drive! I really got to get some good chanting in.” And I thought, “Oh, so this is why you’re so slow!” Because of the chanting. And it makes a lot of sense. He’s in that car, where most people are screaming at drivers in front of them, jockeying for position, racing around, Austin is in the car having a great time, growing the grey matter in his brain, and meditating. Austin is a practitioner of the Sokkagakkai sect of Nichiren Buddhism, thus, the chanting. One of the things they do in Sokkagakkai is chant the Lotus Sutra. There are a few sutras in Buddhism, and you pick the ones you like, and chant them to the Buddhas of your choosing, and they will grant you favor, such as money, or purity of spirit, or sexy waifus. (Ok, I don’t know about the last part, and I’m not making jokes about Buddhism for Buddhism’s sake. Anyways I think the Buddhists can handle it. They are pretty chill as far as religious practitioners go.) They are into the proselytizing though, unfortunately (Sokkagakkai is at least. I don’t think that’s common for most Buddhists but I ain’t no expert on this topic.) The Sokkagakkais are somewhat aggressive about it, like Jehovah’s Witnesses, and actually I was personally on the receiving end of some proselytization (I just love that word.) by a Sokkagakkai member. I was in Kamitoori, in Kumamoto City, with Lewis the Brit, trying to the cross the mega-crosswalk that connects the northern and southern shoutengai, the shopping districts. I had a nice conversation with this fine older lady, during which she asked me if Obama was also in the deep state, along with Donald Trump, (“Obama san mo, deepu suteitu desuka?”) And I told her that I’m sorry but it’s very hard to tell who’s deep state and who’s not, kind of like the Illuminati. Very hard to confirm it. And so I couldn’t say. She did have noble intentions with her attempt to convert me to Sokkagakkai, I remember, because apparently we had brought the coronavirus upon ourselves as a kind of retribution for all of our sins, and we could pray them away. Something like that, which I thought was good to know, and I wish her the best of luck. Hey, whatever it takes! When it comes to Sokkagakkai members, I only have two examples to speak of – Austin, and the Kamitoori deep state lady, so I don’t know a lot more about them, and I don’t need to write anymore, I think I’ve already written enough, and I’m supposed to be writing about Austin. But anyways, that’s why he chants. And he has a little metal bowl, a gohonzon, that he chimes in prayer, a soothing thing. I did go to a Sokkagakai meeting with Austin once, to check it out, and they were a great group of people, I have to say, and he’s a very chill guy, so there is something going on there, with the bowl ringing, and the chanting. 

On the way back from our Ogawa excursion, to see the bunch of colored fish dangling from the sky, Austin made several comments regarding the fact that he was being tailed, such as, “Man, this guy is right on my ass!” And, “Jeez buddy, you’re in a hurry!” “I’m not going to go any faster!” And I thought “Hmm, that’s interesting!” because even with my tame Suzuki Wagon R, I never had much of a problem with people tailgating me. And yet, here it was happening to Austin, really just about everyone was tailing him! “I’m just doing the speed limit, buddy!” He said to one tailer. And then he informed me, (I didn’t ask), he said, “I’m just happy doing the speed limit!” Later on the drive, when we were on the highway passing through the tunnel between Aso and Ozu, a new and glorious tunnel (the old one having been destroyed in 2016 by an earthquake), a kilometer or five long, (which is a few miles, for you Imperial system scoundrels), and Austin again has someone right on his ass, and he makes similar comments, and I check again in the rearview mirror, to see a now familiar sight, of someone right on the back of Austin’s bumper. Austin seems a little unsure, now, and he says to me, “It’s 60, right?” And of course I didn’t know, because really there are no speed limits in the Inaka, and no speed limits in a tunnel. You just drive however fast you want to go, or you drive as fast as everyone else is driving. But as we’re going through the tunnel, with another driver yet again right on our butt, we pass a speed limit sign, and it says 80 kpm. And Austin says, “Huh. I guess it’s 80!” And then we go a little bit faster, and the guy behind us definitely did not let up. We pass through the tunnel, through Ozu, and we’re on a street near my place, when yet again Austin finds himself with another car aggressively close behind, and something finally clicks in him. He turned to me and said, “Am I a slow driver?” And I said, “Well, Austin.. You do drive a bit slow!”

Austin being a slow driver makes a lot of sense, because he is completely imperturbable. His feathers cannot be ruffled. I don’t think it’s ever been done, I don’t think it ever will be done. I’ve never seen so much as a single feather out of place.

For too long, Austin was seriously struggling to say the word “Fukuoka” properly. He can say it, at least, he could, but he wouldn’t. Fukuoka is a prefecture to the north of Kumamoto. Austin calls it Fukioka. That is, the correct pronunciation is, or at least the totally-not-incorrect pronunciation is, foo-koo-oh-ka. And Austin says foo-ki-oh-ka. Nobody knows how or why he started doing this. Early into our relationship, he dropped the Fukioka on me, and I didn’t know what he was talking about. “I think this man means Fukuoka,” methinks. But I wasn’t sure. And so I said, “You mean Fukuoka?” And he said, “Hai. Fukioka.” Yes, Fukioka. And so I told him, as non-condescendingly as I could, because I know people are sensitive about that stuff, their pronunciation and whatnot, some people are, I am, that what I was hearing was not Fukuoka, but Fukioka. And he seemed to get it. And then the next time we were together, he once again called it “Fukioka”, and so we had a similar conversation. But that time, I didn’t leave our conversation with a strong feeling that Austin wouldn’t say Fukioka again. Actually, I had almost no confidence at all. Just something in the way he said, “Oh, ok.” while I talked him through it. It doesn’t give you a lot of confidence.

I told Mr. Parker Junior about this, the Fukioka business, before we all went to Oguni to see the fish flags, and it was several hours before it came out. It finally did, as we were walking down that narrow street back to the parking lot, an onsen parking lot that was not for festival parking, as we were soon to find out, being chastised by a furious onsen employee, that Austin dropped a Fukioka. I was walking behind the two of them, Austin and Parker, and the Fukioka popped out, and I thought, “I’ll just let them hash this out.” And so I listened. And Parker says, exactly what I said, what anyone says who’s trying to help someone say the word they want to say when they say a different word, “You mean Fukuoka?” And this time, Austin says, if I can remember right, “Fukioka?” There’s a little bit of doubt, there. And Parker says, “It’s Fu-ku-oka. You’re saying, fu-ki-oka.” And Austin says, ok.

I talked to Parker about this later. I was a little bit delighted that Parker got to hear it. The Fukioka. I asked Parker if he thought that Austin knew what was up now. Now that two people had commented on it. I don’t know how he’s made it this far in Japan and the Japanese haven’t fixed it for him. I think they just know what he’s trying to say, and that’s good enough for them. If they went around correcting all of our atrocious Japanese mistakes, nothing would ever actually be communicated. Only corrected. But still, the Fukioka was pretty bad. I still wasn’t sure that anything had changed, but it had now been pointed out by two people, right, so Austin must have known that it wasn’t just me being a stickler for pronunciation or anything. By this point, I had told Emily about this, and I wanted her to hear it. The Fukioka. But I wasn’t sure if she’d be able to. Austin may have it down, by now. I’m getting a little out of order chronologically here, but at our hangout, Lewis and Austin and I’s, I’m deeply focused on something (I’ll come to that later, I’m out of order here), but not so focused that I can’t hear Austin’s Fukioka, when he unleashes it on Lewis. I was at that moment as alert as any dog is when it hears its name and it knows its been a bad boy. Or girl. Lewis’s response. “What?” It was golden. Lewis actually didn’t even know what Austin had said. Austin recognizes this, now. “Fukioka? What, am I saying it wrong?” Internally, I’m dying. But, I’ll let them hash it out. Lewis, comprehending now. “Ahh, ah, Fukuoka. It’s fu-ku-oka.” Austin says, “And what am I saying?” Lewis. “You’re saying fu-ki-oka.” And it is now, it seems, really dawning on Austin, that he might be saying this word wrong, as every time he says it, at least among the company of Westerners, the immediate reaction to his Fukioka is, every time, “Huh?” “What?”

After this, I can’t say that I still had any confidence at all that he wouldn’t say Fukioka again. I was thinking that perhaps, the muscle memory was just too strong. The word Fukioka had now imbedded itself in his linguistic library and was never going to come out. I had told Emily about this, because it was funny. Emily already knew Austin. I had actually been messaging her about it for some weeks before. I gave her updates. I told her about how he had unleashed it on Lewis. And I was excited to tell her about that. But I thought, now, the chances were much higher than they’d ever been, that the next time that Austin wanted to say Fukuoka, he would say Fukuoka. Austin came over to cut my hair, this past week. I wasn’t looking for it, the Fukioka, and we went that whole hangout without it – until, as he stood in my doorway, with his foot halfway out of the apartment, he told me a story, about places called Soappaas, or something like that, I know the first word in the name was soap, places where you can pay people to take baths with you, but you’ve gotta be careful, because the yazuka have been running a racket, and stealing people’s shit, while they’re taking their bath. Which I thought, that’s pretty sad, isn’t it, to not be able to find anyone to take a bath with you, so you end up paying someone to do it, and the whole time they’re lathering you down, you’re being robbed by sleazy yakuza scumbags. And of course, all this paying to people bathe and theive you, this is happening in the heartland of the yakuza, Fukioka. He said that to me, then, in such passing, as a gracious parting gift – and then vanished into the night. And at hearing that Fukioka, I was not in total disbelief. I was actually quite happy, because I thought that the chances were now very good that Emily would get to hear it, and then everyone who I’d introduced Austin to would have gotten to hear his Fukioka, and we could all have a good laugh over it. Austin, Parker, Emily and I all gathered at my place again this week, and as we sat around my small round table, the gaikokujin of the round table, Emily asked Austin if he had gotten to get any travelling in before corona struck, and he said, yeah. And I sensed it, that this was my opportunity. I said, “Where have you been?” And he said, “Oh, mostly, in Kumamoto.” And I said, “But you’ve been to other prefectures, right?” And he said, “No. Oh! I’ve been Oita.” And now I’m thinking, dammit Austin, just say it, just say Fukioka, I know you want to! “What prefectures do you want to go to?” Specifically asking him to name prefectures. I know I’m smooth. He says, “I’d like to go to Hokkaido.” We’re close. I say, “In Kyushu.” (Fukuoka is in Kyushu. I’m trying to get him to say Fukuoka. I’m helping to narrow down the possible answers he can give.) And I’m thinking, here we go. You must say it now. I know you want to go to Fukioka. You talk about it all the time. Just say it Austin. Say the Fukioka. And he responds, “Well, I’d like to go Nagasaki.” And then he looks me right in the eyes, and says, “And that one that I keep getting the name wrong.” And I said, “Dammit Austin!” Whether he was too smart and saw the trap I’d laid out for him, or whether he was now really done with saying Fukioka, I couldn’t tell. And half of me was pissed, because I really wanted Emily to hear it – but I think more than being pissed, I was proud, and I had to get up and go give him a hug. My boy was growing up, like a baby that finally says someone’s name right after having only said the baby-fied version up to that point. I don’t have any specific examples of that because I haven’t raised a baby and I can’t remember what it was like being a baby, but I have thought about what it would be like to have my full consciousness, all of the consciousness and awareness that I have now, inserted into my baby self, and I think that would be pretty interesting. I wonder how long I could play it off that I had the mind of a simple baby and not that of a twenty-five year old. What would give me away? Maybe I’d get caught changing my own diaper. I’d be wiping myself off with one of those baby wipes, and mom, or the babysitter, someone would walk in, and I’d have a wipe up my butt, and we’d make eye contact, and they would just know – this baby knows what’s going on. Maybe I’d put my tiny baby finger over my lips. Don’t tell anyone. But I don’t think I could put up with the helplessness for long. The only time I’ve ever seen Boss Baby was at the Tamanagas, when I was making some dessert thing with the kids, and Boss Baby was on the TV. I guess there’s a TV show, and they love it. Riku was describing all of the characters to me. “Tina, this baby, she’s really out of control. And Kevin, this baby, he’s really smart.” I wonder how Boss Baby does it. I think I’d pull the baby card sometimes, to get out of sticky situations, or to get out of doing things that I didn’t want to do. I wonder if I would get totally sick of baby food. Or if I wouldn’t be able to help but make a total mess every time I tried to eat anything, because I have such a weak and undeveloped baby mouth, and no teeth. That must be hard, man, being a baby. No wonder they cry all the time. Babies have it tough.

I could probably describe things to the world about being a baby, and what it is like to be a baby, that babies never could, because they’re too stupid. It could be revolutionary for baby science.

I can give Austin a hard time about the Fukioka thing. I know he doesn’t care. He’s imperturbable. Austin told me about his co-workers badmouthing him, right in front of him at work. They think he doesn’t understand Japanese, I guess. Apparently he understood enough to know that they were talking smack. And of course, he was smiling, laughing while he tells me all this. “Isn’t that shitty? Ha-ha!”

Austin is addicted to Tik Tok. I once rang him up, and he answered the phone, laughing. Literally, the first thing that I heard was laughter. Have you ever had someone answer the phone like that? You just have to wonder if they’re insane. He’s not insane, I don’t think. He was just in the middle of watching a Tik Tok. I think he’s usually watching a Tik Tok when I contact him. He responds to my messages almost instantaneously. I think there’s a good chance that he’s watching a Tik Tok right now.

Austin’s Tinder bio includes the quote, “Shoot your shot.” by John Wilkes Booth. I know I’m just throwing out random facts about this man for you now. These are all very entertaining to me. For my Japanese friends, John Wilkes Booth is the guy that shot Abraham Lincoln. And he probably didn’t say that. Austin said to me, “I doubt anyone knows who that is in Japan. But it’s funny!” He started off this conversation with me by saying, “So I matched with a woman who is way out of my league.” She was an incredibly busty woman. “I guess she liked my bio!” Naturally, she was a robot, and was inviting him to talk with her on Late Meet. An app. He’s been invited to a good four or five different apps by Tinder robots. He does well with them.

I think you must now have to some degree a small sense of who Austin is. I hope you do, anyway. He’s a fun guy. And now, we’ve really got to get moving. That Fukioka business is actually a good lead in for the main event, here. You’ll see what I mean by the end, I think. The main event being the funny thing that I really wanted to tell you. And I do hope it’s funny for you, or you might never come back here. At least, you won’t be able to trust me on what is and isn’t funny. I’d like to say that you can trust me, and I’d like to keep that trust, and so I’ll do my best here.

Austin and Lewis both came over, I think last weekend, that doesn’t matter at all, but I think it was last weekend. I’ve taken to calling Lewis Lew recently. He hasn’t made any comment on it, surprisingly. I feel like most people would comment on that kind of thing, their being given a new nickname and all. It’s a personal thing, a nickname, so you would most probably feel some type of way about it. Lew doesn’t seem to be feeling any type of way about it. Or if he does, it’s secret to me, which is pretty typical, because that man is a walking, talking secret. He is enigmatic. I’ve talked too much about Austin to give you an equivalently thorough description of Lewis, not in the same post. If I were a better writer I could probably characterize these characters in much fewer words. If I wanted to. I don’t really want to. But I will say about Lewis, Lewis has a special way of speaking, and talking about things, that is particular to Lewis, that cloaks him in mystery and intrigue, and it is all unintentional. I thought, early on, that it was intentional, because it seems that it’s just too obvious to not be, but I’ve called Lewis on several such things, when he’s speaking in this way, and his response is always, “Oh god you’re right.” Or something along those lines. It will go something like this. Lewis will say to me, out of the blue, and this happens quite often, something along of the lines of, “I’ve done something terrible.” Or “Something terrible has happened.” Or “I’ve just had the worst experience of my life.” Something quite vague, like that. And then you’ll say something like, “Oh, boy. What happened?” And he’ll say something like this. “Oh, I can’t even say it. Not now. It’s too bad.” Or, “You know, I don’t really want to talk about it, to be honest. I don’t think I’m ready.” And you’ll say something like, “Oh, boy. Must have been bad!” And he’ll say, “Oh, it’s so terrible. It’s the worst thing I’ve ever done. I can’t believe I’ve done it.” And you’ll say, if you care to continue this line of conversation (by now I know how it goes, so I don’t typically) “Is there anything I can do? Are you going to survive?” Something like that. Because you’re now wondering, why he’s telling you about something he’s done, without being able to actually tell you what he’s done. Maybe he needs some emotional support. Maybe he just needs to confess that he’s done a terrible thing, just to have someone else know that he’s done a terrible thing. It’s like a confession, a mini-one, confessing that you did a bad thing, but not going so far as to reveal the nature of the bad thing. It’s too horrible. I get that. But he’ll say, “Yeah. I’ll be alright.” And then you’ll now think, alright, he’s done a bad thing, he doesn’t need my help, this line of conversation is over. Let’s move on. And you’ll move on, or at least, you’ll think you’ll move on, but it won’t be for long, because it’s coming back. At some point soon, it will come to him, realizing that he’s done a bad thing, and he’ll say something like this. “But dude. That thing I did. If I told you, you would not believe it. I can’t believe I’d done it. It was so bad. It wrecked me, dude. I don’t even know what to do about it.” And you’ll think, ok, we’re coming back to this again, I guess he really does want to talk about it. And you’ll say, “Right, you keep talking about this thing, what was it though? What did you do?” And this time, he’ll hesitate, and he’ll say something like, “Ahhhh. Man… I want to tell you, I do. I just don’t think I can. It’s not the right time.” And here there will be an additional level of intrigue added, where he’ll say something like, “I have to see what will happen. It might just work itself out.” Or, “It might just be better if I don’t tell you, to be honest. Not now.” Again, something vague, like that. It’s all very vague. And all of these little details make their impression on you, of course, and your desire to know what he’s done that could be this bad, and the more you talk about it, the more your curiosity naturally grows. You will make conjectures. They may or may not lead you to any reasonable hypothesis as to what it could be. “Is it about that girl?” “Ah.. well, it could be. In a way, yes.” “Is it about that other girl?” “No. Or, not really. I don’t think so.” It’s usually about a girl, but you can’t be sure. When he answers in such ways, you can’t be sure about anything. And the best part of all of this, is that the odds are ten to one that in the end, you will never know about it. You will never find out what the bad thing was. It will come around, if you want it to, sometime down the road, and you’ll say, “Hey, that bad thing. What was it?” And all he’ll have to say about it is, “What thing? Oh, that? Oh, that wasn’t so bad. I worked it out, in the end. It’s alright now.” And that’s it. You’ll never know. I had to get used to that, the never knowing, and it took awhile. The thing is, he doesn’t do this on purpose. It sounds crazy, but he doesn’t. He doesn’t mean to make everything so mysterious, so curiosity-arousing, so dramatic, but he does. He can’t help it. And it’s good fun, this mystery. It’s good to keep some secrets, I think. Just for the sake of intrigue. People like that stuff. It can be infuriating, yes. But some infuriation every now and then can be a good thing too. Even rage is better than nothing.

Lewis is in the process of uploading his consciousness to the internet. He was, since the last time we spoke about this, 59% machine. I’m sure it’s much higher now, and increasing by the day – especially since corona kicked in. He lives in a techno-cave, and is quite happy with it. I think about how we are so opposite in that regard, in our living situations. I live in a spacious, well-lit, second story apartment, windows open, with plants, and colorful things on the walls, and no internet. Lewis, by comparison, lives in a dungeon, or a small grotto, a place where the number of times it has been graced by sunlight can be counted on one hand, where no living thing grows, where interior decoration is minimal, and where consciousnesses are uploaded to the internet. I suppose when I write that, it must sound a little depressing. It’s not that bad. He could benefit from having a plant or two. I knew more about the city that Lewis lives in after a month of being in Japan, when he had been there for a year. I can’t get him to do anything outside with me. Hardly anything. That’s not surprising, given the whole, sunlight never gracing his apartment thing. He will look at flowers, and walk around parks, and that is the extent of his interaction with nature. If your invite contains the mention of sports, mountains, or bugs (to be fair, bug hunting is not as popular of an activity, for adults. Kids know what’s up.), you will be receiving a hard no. He did go to the beach with me once. Lewis doesn’t read books. I gave him a copy of The Lord of The Rings. I had a spare. This man wears the damn ring around his neck, and I couldn’t get him to the read the book. I get it, if you’re not a reader, it’s an intimidating thing, that book. But it’s like wearing a rosary around your neck, calling yourself a God lover, going to church, watching Passion of the Christ, and having never even cracked open the Bible. At least in that simile, there was a walking, talking person that spawned it all. The book was based off of real life events, if you choose to believe such. In Lord of The Rings, however, it all comes entirely from the book. None of this stuff happened in real life. The book is the source. But Lewis won’t read it. I gave Lewis 50000円 and told him to keep it if I didn’t weigh 80 kilograms (175 pounds, you’re welcome) by July 4th. This was last year. I think we settled on July 4th. Or maybe it was by the end of the year. I think we made the pact in January. Times and dates mean nothing to me, almost nothing. On most days I don’t know what day it is. You might say that’s a luxury. I don’t know the date, that is. Of course I know the day. I’m not an idiot. I can keep track of the days. There’s only seven, and they loop, and certain things happen on certain days. But, when I made that pact with Lewis, it does seem that I have no idea. Anyways, I threw in a bonus clause, into that pact, that if I made it to 85 kilograms, Lewis would have to read The Lord of The Rings. I made it to 82. I got my money back, but he didn’t have to read the book. I do wish I would have tried harder. I think he’d still be reading it, honestly. But at 82, I had put on too much fat anyways, as I was eating a loaf of white bread for lunch every day, because “I was bulking.” That was a good time.

I could tell you more about Lewis. I don’t know how much you need to hear. Austin is really the main character here. Anything more about Lewis is just some additional sprinklings of goma seeds, I think, on what is now already shaping up to be a perfectly good bowl of goma, tofu, peas, and brown rice. I eat that almost every day, these days. It’s good stuff. With a little olive oil drizzled in. Here’s the last thing I’ll say about Lewis: he is never on time. If you say, let’s meet at 5:30, Lewis will say alright, that’s fine. He will then send you a message at 5:35, when you’re expecting that, hey I’m here! message, letting you know he is now leaving his apartment. Very rarely, he will be significantly early, but he’s usually just late. I was going to say he’s unpredictable that way, but I think he actually is to some degree predictable, in that you can be sure he will never be on time. He may come early, he will mostly likely come late, and occasionally, he won’t come at all – but you can put your money on it, if he does come, he will not be on time. I’ve never asked him about this, actually. Different people have different conceptions on what it means to start an event at 5:30. It may be that for Lewis, that means something like, at 5:30 I’ll be ready, and anytime after that is a good time. He might take it that way, I don’t know. I should ask him about it. I know I don’t think about it that way. If you tell me 5:30, I’m gunning for 5:30, and if I’m anything maybe fifteen minutes or more later than that, I’ll probably apologize, or explain why. But not everyone’s like that. When inviting Lewis to anything, I’ve found some success in the strategy of shifting the time of the invite back. It usually works. If want to meet him at say, 6 or 6:30, then I’ll say, hey, how about we meet at 5? And I now recognize that this is just haggling, isn’t it. I haggle with Lewis over our meeting time.

I haggled Lewis into meeting early on a Saturday, to join Austin and I in a day of debauchery. I think I told him 11 or 12, initially, and so he said, “I’ll be there at 2.” Which then turned into, “Now 3:30.” I think he showed up at around 4. And what we were all there to do, was to play a game called Magic The Gathering. And now we’ve reached the part of the story where I tell you about the debauchery, that is Magic The Gathering. Do you know about this game? I hope you don’t. Magic The Gathering is a terrible game. I wish that I could say that I have nothing to do with it and have never had anything to do with it, but I can’t. I have. And what’s worse, I love it. It’s a very fun game, for me. It’s a card game, and it’s nerdy. Full of dragons, and wizards, and merfolk, and Swords of 1000 Truths. I’ll just throw some card names at you, and I think you’ll have a perfect understanding of what we’re dealing with here. Territorial Scythecat. Grotag Bug-Catcher. Deadly Alliance. Akiri, Fearless Voyager. Shepherd of Heroes. You get it. Fantasy. But it’s good fun, if that’s what you’re into. It’s just that it might steal your soul. I hadn’t played this game since I’d been in Japan, but Japan is into it, somewhat, and they release the cards in Japanese, and somehow, that just makes them look a bit more, or a lot more, badass. I debated for a long time, whether I should drop 8000円 on a box of them, so much that I even summoned Emily’s counsel, as on one hand, I thought it would be fun to learn some new fantasy related words, that could also be useful to me in my daily life, words like exile, destroy, graveyard, merciless, eternal (actually both coming from the name of a single card, Merciless Eternal), angel, plague, demonic, etc., but on the other, I was concerned that I would be trading my soul for it. Whenever my senseis come to my desk to say what’s up, they’ll usually see that I’m studying, and would look over my notebook, and in the older days, before they realized that when it came to Japanese, I wanted to know everything, they would see these words, like exile, and merciless, and rejuvenate, and they would always ask me, “But Steven, when will you ever use these words?” I have an expansive imagination, senseis. I find ways. And if I don’t use any fun words like those, then I’ll spend my whole life as a Japanese speaker with a sad and boring vocabulary, and I don’t want to spend my whole life as a Japanese speaker with a sad and boring vocabulary. I want my Japanese to have some spice to it.

So, this Saturday, we’re playing this cursed game, Magic. I’m pronouncing that, cur-sid. The old fashioned way. Austin has played it only once or twice or three times before. He knew the rules, more or less, but when it came to strategy, and winning, he was entirely clueless. I found this out when he started going through the cards to make his deck, and was attracted to cards that any veteran Magic player never be attracted to, unless under very specific circumstances, or they were going for an experimental strategy, or they were just trolling. A beginner Magic player is kind of like a child. They are attracted to cards on whim, and fancy, just because they like the way they look, the name, the art, or something else that is aesthetically pleasing, but practically has almost no impact on the game. Although the name can, in some cases. Beginning Magic players are innocent enough to still hold aesthetics in some regard. Veteran players have seen too much for this. I enjoy the aesthetics of a card, but I enjoy battlefield dominance more, and I will choose accordingly. Austin had his first taste of what happens when you choose entirely on aesthetics.

The deck that you play with in Magic reflects your personality. Lewis’s decks are intricate. You won’t know what’s going on with them until the machine is fully assembled. That is, there are machinations. His decks are finely detailed, with many moving parts, an apparatus that when complete becomes a whirling death machine. His turns take time. There are a great number of steps that are required to build the machine, and much trickery. He often tricks himself. His decks could be considered, “big-brained”, which really just means that they’re extremely annoying to play against. Also, if I can offer a critique of Lewis’s Magic game here (I don’t know why I am, because, like I said, Lewis doesn’t read, and he’ll never read this), he’s not bad at building the death machine, but he’s pretty bad at protecting it. Blow up one cog, and the machine falls apart. And it’s never too difficult to blow up one of Lewis’s cogs.

My decks are not so complicated. By comparison, they are relatively “small-brained.” If Lewis’s decks are death by machination, my decks are death by being bludgeoned to death by the club of a rampaging troll, or by being gored in the stomach by a massive horned ram-demon. I occasionally choose to overwhelm with a legion of many, but either way, for me, creatures are the engine. Simple, but effective. The trickery is minimal, and the machinations are few. I also have a knack for identifying and being attracted to the strongest cards in the game, and that helps. I beat Lewis every four out of five games, or so.

Austin’s decks are collections of cards that strike his fancy. A card goes into the deck, not for any strategical reason (none that you can see, at least), but simply because it has a certain appeal. It has charmed him in some way. Unfortunately for Austin, at least for his chances of victory, he seemed to be attracted to almost entirely useless cards. The first card that really got him was a card called Meteorite, and that’s exactly what it was. It was just a meteorite. I think that’s exactly why Austin liked it, but it didn’t do all that much, unless you had a certain kind of deck, which Austin didn’t have. He saw this card, and said like he said with all such cards that struck his fancy, “Now, look at this card! That’s a good one!” And he would show me, and I would take about half a second to pass judgement, that this was an inferior card, and would not help Austin win the game. I said, “Yeah, if you have blah blah blah, it’s not bad.” and Austin didn’t have blah blah blah. But he thought it could work anyway. And that was something I noticed about Austin, when it came to Magic, is that for not really having any clue what was going on, he had very strong opinions about his cards. And I did like that. He threw a useless Myr (some kind of brown, crescent headed robot thing) into his deck because “I saw a Myr deck once. It was really strong.” He was also attracted to a card called Trusted Packmate, or something like that, that was again, not very useful to him at all unless he was going for a certain strategy, that he was certainly not going for, but his response was, again, “You know, I think it can work.” So, after letting the lad assemble his own deck of fancy, of meteorites and Myrs and trusted packmates, and goring it with horns, and crushing it under the weight of infinite machinations, Austin asked me to help him make a deck. And now, finally, the funny part is coming. I promise.

Austin asked me to help him make a deck. I was happy to do so. I already had an idea for another deck we could do with our cards, and I had just started getting the pieces for it together, when he hands me a stack of cards, and says, “And I’d really like to have these in it.” I flipped through them, and took the meteorite and Myr out right away, and saw that what we were left with, what he had really handed me, was a pile of dogs. Flaming dogs, St. Bernards, dogs with armor, dogs striking majestic poses, dogs running fast. A bunch of dogs. What happened was, there was a big, shiny dog, called Pack Leader, that was a pretty good card, that made your other dogs stronger, and invincible, which is great and all, and Austin saw that, and he really liked it, and so he thought, well, that’s good, let’s make a dog deck, and he went and found every dog he could, and that amounted to about nine or ten dogs. Unfortunately, this was not enough dogs to constitute a deck on their own, and also, really all of the dogs except for that one big, shiny dog, were almost useless. I took one look at his pile of dogs, and I told him that, and he wasn’t swayed. “I like the dogs. Let’s use the dogs.” And so, I set them to the side, and went to work, cooking something up entirely unrelated to dogs. And as I worked, I could see that something really nice was coming together, something with dual-wielding mohawk men, scrunchy, scheming goblins, and floating golden skymauls, but I saw that as I progressed in the course of putting this deck together, however much room there was for Austin’s dogs at the beginning, which was essentially, none, there was now increasingly less room for them. I would keep trying to take a dog out, slyly, saying, yeah, and I think this guy is gonna have to go.. but Austin would be right there to put the dog back. “Ooh, not that one. No, we have to keep that one.” And I would explain, quite rationally, how my card made sense, and fit into a greater strategy, and was in every way superior to Austin’s dog, and it hardly made any impact on him at all. “Austin, look at this card. This card can fly. This card is a rogue. This card has X, and Y, and you can use it with Z. It’s great. You need it in your deck. This card is just a dog. It doesn’t do anything, at all. It is only a dog.” And that meant almost nothing to him. “Yeah.. but with Pack Leader, it’s pretty good, right? And just look at that cute little pupper. Let’s keep it.” I did get him, by powers of persuasion, to drop a few of the most utterly ineffective dogs, but by the end of building this thing, we had too many cards overall, and by that I mean, we had too many dogs. I tried that, many times throughout the construction of this deck, trying to slip out a dog here or there, and replace them with something that made sense, and would be useful, and Austin just wouldn’t have it. I was building a deck for him, yes, but building a deck is an art, and I had a vision for my project, and wanted to execute it perfectly, and yet when I would take steps to bring it closer to the perfected form, I would run into the dog problem – adding this card would mean taking out a dog, and that wasn’t going to happen, because at a certain point, we had taken out enough dogs as it was, and the rest became non-negotiable. So, we reached a point where some kind of final deck had been completed, which was a cohesive deck that had a functional strategy, with some dogs thrown in. We had something like forty-eight or forty-nine cards, and we needed to get to forty. Basically, we had a perfect and complete deck, if we just didn’t use any dogs. But Austin wouldn’t have it. We laid out all our cards, and went through each one, and made the cuts. And how that went was, Austin would pick a card, and he would almost always gravitate to the best cards in the deck, and he would say, “You know, I think we can take this one out.” And I would say, no, Austin, that’s the best card in the deck. And he would go to another one, and say, “Is this one all that good?” And I would say, yes, that’s a core component. We’ve gotta have it. And then he would come to one, and he would say, “Well, we really don’t need this card, do we?” And I would explain how it was again, necessary. And certainly, would not be sacrificed for one of his feeble dogs. And for each card that Austin would choose, he would ask me, for the sixth or seventh time, then, “And what does this one do again?” Because we were playing with mostly Japanese cards, and Austin can’t read much Japanese, and so more than half of the cards in his deck, he couldn’t read them, and didn’t know what they did. When playing, he would come to cards, and think they did one thing, when it was the other card that did that thing, or he would try to remember what they did, and he would get this look on his face, of just a slight bit of confusion, and Lew or I would notice it, and say, “You got it?” And he would say with complete confidence, after an uncertain pause, “Oh yeah, I know what this card does.” And after a few times of him saying this, I learned that when Austin says, “I know what this card does,” he really means, “I certainly have no idea what this card does.” And I had explained the strategy of the deck to Austin about fifty times, in the course of building it. It wasn’t complicated. It was warriors. We wanted warriors. And we wanted equipment. We wanted to have warriors and to give them weapons. And that became another frequent point of contention – Austin, this card is a warrior. We want warriors. Your dog is not a warrior. And he would say, for the fiftieth time, “Why do we want warriors again?” Austin was almost entirely uninterested in my building of his deck. He just wanted to make sure that the dogs had a place in it. Austin and I worked through his deck, to bring it down closer to that ideal forty cards, and I have to say, it really hurt me. Each card that we cut, was a card that brought that deck closer to something beautiful, and in place of that card, taking it farther away, would be another dirty dog. It was hard for me, and some tense words were exchanged, swords crossed, both parties unwilling to back down, but ultimately, after pushing him as much as I did, I could see that Austin was serious about his dogs, and that compromise must be struck. It was Austin’s deck, and if he wanted to so defile it, I had to let him, and so I did. “If we have to take anything out..” And I pulled the cards, and the downgrade was complete. This process, of sorting through the cards, identifying a working strategy, assembling them into a functioning body, of trying to figure out how to cut as many dogs as possible, of arguing with Austin over each dog related decision, was an hour-long masterclass in the arts of strategic planning, persuasion, and compromise. And again, I had to respect his conviction. The man wanted his dogs, and have them he would. And so, at the end of this hour long struggle, to put together something that wasn’t as horrific as his first production, and with dogs, we were finished. We had something. Austin had his dogs, and his warriors, and it seemed to be not all that shabby, and we were ready to see how they performed. And now, here, finally, is the funny part.

Austin and I sat opposite each other across that small round table of mine. We set our decks on it. This was to be Austin’s first run with his new dog/warrior deck. It was exciting. After all that planning and persuading and arguing and compromising, the good part was here, and we were going to play the game. And we drew our cards, and we started the game. I played my turn, I passed it to Austin. And Austin, on his first turn, he’s got one. And I’m ready for it. I know what’s coming. You can tell by the look on his face, how tickled he is, to be playing it. It’s what he’s wanted all along, what he fought tooth and nail, against all reason, to have in his deck. He’s been waiting for this moment for the past hour. He’s breaking out into a full smile, he’s pulling the card out of his hand, he’s about to speak, and as he sets it down on that small round table, in the center of the table and in full view of all, he announces, “And now I’m gonna play this wolf!”

I’ll let that sink in. You might be confused to see that word. I was certainly confused to hear it. Wolf, did you say? There were wolves in that deck? You didn’t mention anything about that, Steven. You only talked about dogs. A lot. You probably wrote the word dog twenty times or more in those last few paragraphs. So why are we talking about wolves now? And yes, you’re right, and that’s a great question, isn’t it. I didn’t say anything about wolves, because there are no wolves in the deck. There is not a single wolf in the deck. No, not one wolf made its way into it. But plenty of dogs did. We spent an hour, an hour, making a deck, an hour, making a deck with dogs, in it, arguing over these useless dogs, talking about how we should take out this dog, and that dog, and how we couldn’t, because they were so cute, and Austin wanted, needed to have dogs in his deck, and in that last hour, if anyone had been counting, they would have heard the word dog said, between the two of us, at least fifteen thousand times, this dog, and that dog, and this dog, and they wouldn’t have heard the word wolf, a single time. They would not have heard the word wolf uttered even once. Not once. And yet, after an hour of dog talk, after an hour of squabbling over these dirty mutts, these Bolt Hounds and Selfless Saviors, after putting such incredible focus into constructing the ultimate hybrid dog and warrior deck, after all this, Austin’s first play of our first game, Austin has his dreams come true, his greatest wish granted, on the very first turn, he gets to play one of his god damn beloved super-cute pupper dogs, and what does he call it? He calls it a wolf. A wolf!

Can you believe that? I couldn’t believe it. It floored me. It was just like when Mr. Parker Junior ordered that parfait. It was about that good. It could have even been better – I think it was. I just couldn’t believe it. “Are you kidding me?” My go-to phrase in such situations. What else can I say? Was he kidding? But he wasn’t. I’m looking dead at Austin, jaw lowered, in complete disbelief. “You mean, this dog?” And he says, “Oh, right.” And he chuckles! This man, he hadn’t noticed a thing! If I didn’t say anything, it wouldn’t have mattered at all! How many times had we said that word, how much energy had we just spent arguing over that word, how much it had become entrenched in the identity of his deck, woven into the fabric, this word, and when he finally plays it, when it was finally time for the big unveiling, he gets it wrong! Calls it a wolf! Like nothing before mattered at all! It’s like, your whole life you’ve been dreaming about owning a Lamborghini, reading picture books about Lamborghinis as a kid, going to car shows to look at the Lamborghinis with your grandpa, discussing the latest Lamborghini models with your boys, scrimping and saving up enough money to finally purchase your own Lamborghini, and you go to the Lamborghini dealer, and you drive your new Lamborghini home, and the whole way home you’re feeling like a million bucks, and you finally get back, and you pull up, you park your brand new Lamborghini, and you step out to admire it sitting there, gleaming in the sun, the car of your dreams, parked right there in your very own driveway, and you put your hands on your hips, and you say to yourself with a wide, satisfied grin on your face, “Damn that’s a nice Ferrari.” It was just like that. Austin just called his Lamborghini a Ferrari. And that was entirely fascinating to me. How that happened, I just couldn’t imagine. I was just dumbfounded. And the best part was, he was all set to let this matter drop, and pass the turn to me, but there was no way I could just let something like that go. “Austin, tell me, did you really just say that? Did you really just call your dog a wolf?” His response: “Yeah, I guess I did! Ha-ha!”

I’ve learned more about Austin’s brain, and I have come to a better understanding of how that could have happened, in the time since that incident. For one thing, during the course of the game, and the games afterwards, Austin kept calling his warriors “knights.” I must have told him, like I said, about fifty times, his deck was full of warriors. Warriors. There are certain cards that interact with warriors in a certain way, and so the distinction is important. I’m not just being anal about nomenclature here. I mean, I am, and I was, but I had a good reason for it, other than it’s just insane to be calling your warriors knights, when they’re not knights. They’re warriors. He also would refer to his cards only ever with masculine pronouns. Austin’s deck was full of beautiful angelic warrior women, and badass armor-clad club-wielding warrior women, and every time he would play them, he would refer to them as “this guy” or “this dude” or “him”. And that just infuriated me. Lewis did the same thing, and I couldn’t understand it, and when they would do it, I would say, you mean “this woman”, or “this lady“, or “her”, and they would say, oh, yeah. And then the next time they would again refer to them as this guy. I just couldn’t understand it. But I talked to Austin, later, about this whole calling his dog a wolf thing, and calling the warriors knights, and he said, “I think my brain just works differently than most people’s.” And he then told me a story, about how he was writing an email at work, and he was saying out loud to his coworker, who was standing over his shoulder, engaged with him in writing this email, what he was going to be writing – but at a certain point, he stopped typing what he was saying, and started typing something else, different from what he was speaking. And I thought, that’s something that normal people would really struggle to do, and you’re doing it by accident. You do have a bit of a different brain, don’t you.

He also doesn’t like Scrabble. I asked him, “Do you want to play Scrabble?” He rejected that idea immediately. “Uhh… no.” And I said, “What? You don’t like Scrabble?” He said that “sitting around and staring at a bunch of letters” is not his idea of a good time. Which I thought was interesting, too, because for a lot of people, that is their idea of a good time. Look at how popular Words With Friends was. We also have the Fukioka thing to consider, as well. And recently, I was talking with Austin about local grocery stores, and he said that he frequently shopped at “DirectX.” Which sounded to me like the name of some low-rank shipping or cable company, and I was like, “You mean Direx?” And that’s what he meant, but he had been calling it DirectX this whole time. He also refers to Kumamoto City as just Kumamoto, which is, of course, as confusing as if you called Indianapolis, Indiana. I don’t know when he’s talking about the city, or the prefecture, and after every time he says that, I say, “You mean the city?” And he says, “Yeah.” But he still calls it Kumamoto.

So that’s really it, then. That was a lot of words for a story that I could have told in about one-hundredth as many, I know. I hope you thought it was funny. It was hilarious to me. It’s getting harder to find kicks these days, as well, in the long monotony of pandemic life. So that day of silliness was especially memorable. Austin brought a lot of silliness to that day of Magic, with his dogs, and his meteorites, and his dub. I didn’t talk about that, but there was a card that Austin insisted on keeping in his deck, a card that killed me more than any of the dogs, that was even more useless, called Dub, an image of a queen laying her sword over the shoulder of a kneeling knight, that was just a general buff, and that would turn your card into a knight. And he kept saying, in defence of the card, when I would say it was worthless, “But it turns your card into a knight!” And this may be how he got so stuck on the knights thing. I tried to take it out several times, and he would slip it back in, and several times, when shuffling the deck, my eye would catch this card, my instinct, that something was there that shouldn’t be, triggered, and I would say, “What’s this one?” And he would say, “Oh, it’s nothing.” And it was that damn dub. I think the peak of his joy that day, was when he ended up decking out his chosen, king of dogs, the pack leader, with that skymaul, and the dub, turning it into an actual flying dog knight, with several other buffs and things, so that it was truly an incredibly powerful dog. He couldn’t stop giggling. “It’s so strong!” And he didn’t even bat an eye when I took control of it and killed him with it. It was refreshing to play with him, actually, in the way that it is refreshing to do things with children – as they just know how to have fun, and are not so concerned with optimization, efficiency, domination, and such things, that adults so seem to be shackled with, and it took me back to the good old days, early in my Magic career, when I felt that way too. We could all use a bit more shenanigans in our lives, couldn’t we. I certainly could. For having a deck laden with useless dogs, dubs, and cards he couldn’t read, running mainly on fancy, and not battle-tempered strategy, Austin did pretty good for himself. Austin really brought the shenanigans that day.

So.. was it funny? Just tell me it was. Lie to me, if you have to. It took a lot for me to write all that. Days, you might be curious to know. At least four.

At the beginning of this post, I said that I didn’t feel that I was really in conversation with you guys. I don’t feel that way now, at the end of it. I think I just had to get warmed up to it, again. I have to have something to tell you that I think you want to hear, I think is what it is. If I think you don’t want to hear it, I’m not all that excited about telling you about it. I’m still learning about myself, and how I write these things, you know. For example, at one point I had the idea to try and bring some consistency into this thing, and write once a week. I told you about that, and I kind of knew it was doomed from the start. Anytime I try to schedule anything like that, it’s doomed. That was more of a fantasy than the characters in the Magic The Gathering world. Consistency and creativity with me, they just don’t go together. This is just not that type of blog, I have to say. If I could consistently schedule writeable material, then perhaps I could consistently schedule posts, but it just doesn’t work that way. This also just takes too much time, to do weekly. Not if I want to keep dropping bombs like this. But I would like to post again, sooner. I can’t believe it’s already been two months since the fart story, honestly.

Anyways, we really are finished now. It’s been long enough. I’ll leave you with a quote, like usual. I can do consistency, in some ways. And it’s just a good way to wrap these things up, I think. This is a Lil Uzi Vert quote. I heard it in a remix of a Lil Uzi Vert song, recently. He’s got some good lyrics, that guy.

“I’m the captain, so I’m never sayin’ pick me.”

Adios, muchachos! またね!

なににおい? What’s that smell?

Hey there kiddos.

I know, you’re not kids. I just like saying that and I can’t use howdy ho buckaroos every time, or I’ll wear it out. I wanted to write that sentence as, “lest I wear it out,” but I thought that would just be too old fashioned to be appropriate here. No one says lest anymore, but our man Herman Melville does, and I’m sure I wanted to write it that way because I’ve been reading the ol’ Moby Dick, and actually just finished it today. That was my work today, finally finishing that whale of a book, and this is my other work – writing this story for you! Because today is the final day of my little spring break, the sixth of the six days of nenkyuu (work leave) I took, when hard pressed to, as before this I had 26 days to take, and come July, 14 of them will go up in smoke (and be replaced with more) if I don’t use them. Like Mr. Parker Junior, I’m stingy with my days, and I’ve been hoarding them, because I don’t know what to do with them, and it’s easier to just go in to work and spend a day dinking around, busying myself with distracting the other teachers, and pestering them with Japanese questions, and giving them packets of wasabi; but this was spring break, and there are only so many days I can get by doing nothing, and so I took my nenkyuu, and forced myself to come up with some plans. I’m glad I did, as I end it having committed several acts of genius, and coming away from it with some quality writing material, and so I am able to sit down here at my desk on this beautiful Tuesday in Ozu town, on this sunny afternoon, when I would ordinarily be eyeing the clock, and wondering why I stick around for the last five minutes of the day, as my leaving time is officially 4:05, but does anyone know that but me? I wonder. I know I’m rambling a bit here, but, you see I’ve got the time, and the confidence, because I’ve already written this post out, more or less. I did it last night, the old fashioned way again, pencil and paper (I prefer pen but after three successive trips to Trial where I forgot to buy ink, I’ve run out, and am rediscovering the magic of the pencil). I hope you’ve had some acts of genius, or at least some inklings of genius, in days since the last post. My genius told me to take a solo trip to Kurume, a city to the north, which was the first time I’ve solo traveled, and went more or less how I thought it would – I made some friends, I spent too much money, I got sunburned, and saw things that I’ve seen many times before. The best part of it was the wild Japanese, and that is really what I wanted to get out of it; that and a ride on the shinkansen (the bullet train). The best parts of that trip were the parts where I was going from A to B, missing train stops, reading tickets and signs, asking people for directions, and throughout all of it using my Japanese, seeing how it holds up, seeing how much I can understand, and what more I have to learn, and what I can take away. I would compare that feeling to that of an athlete who has been training in the gym, versus performance, and on that trip I was able to perform, and I enjoyed that. Although I am living in Japan, I can still form a little English bubble around me, sometimes a not-so-little English bubble, forming around me whether I’d like it to or not, and getting out there alone, with no help, with no one to rely on, and no one to work it out for you but yourself, is a way to break that bubble. So I enjoyed the breaking of that bubble. I would just like to do it for cheaper next time.. did someone say hitchhiking?

My other act of genius on this break was to buy a guitar. I have been a piano player, but I haven’t felt like playing the piano. I have felt like playing the guitar. The electric guitar, specifically. I didn’t fight this genius, I didn’t overthink this genius, I just thought, let’s get a guitar then, and see what happens. I almost settled for an acoustic, as it was cheaper; but electric is what I wanted, and electric is what I got, and man am I glad I did. When I sit down with that baby, I feel like a wizard who just got his first wand.

I do have another update for you.. I’m wondering whether to include it now or later, and I think I’ll do it later, actually. At the rate I’m going now, this will turn into another beast of a post, it may already be a beast, and is getting beastlier by the key press.. I think we’ve enjoyed the appetizers enough; let’s move on to the main dish!

I said that I am at the end of my spring break. The beginning was last week, Tuesday. Only Monday was I required to show up to work, and that was to say goodbye to all of the teachers that were moving on. Goodbyes are interesting, aren’t they? The way you feel about the goodbye says a great deal about how your relationship was with that person. It’s strange saying goodbye to someone, who had such an influence on your life, and knowing that you may never see them again. And that is the way of the world. Every day a new life is lived, every day a new stage is set. Characters enter, and they exit, and they may return, and they may not. This play is being written by the day. And on Tuesday, the day after this exiting of some of the up-until-this-point main characters (and you know many of them – Sakamoto sensei (kind older English conversation teacher with erratic class greetings, Hiroyuki the cat sensei, Goto sensei (you know her, right?), Matsuzaki sensei (gave me dekopons), Shota sensei (I think you know him too.. genki math teacher at Shoyo)..) the cast of characters was made up of familiar ones, ones that I hadn’t seen in a long while, and they were the Higashi clan, and their accompanying friends.

I don’t know exactly what I’ve written about the Higashis, but I know I’ve at least mentioned them. This is already shaping up to be long, and with the Higashis, and our history, it could come out to be any of several varying degrees of long, from a bit long, to extremely long, to just too damn long, and I think I’ll have to exercise some creative control here, and not allow that to happen. I want to tell you everything, of course, but we just don’t have the time – I’m not writing a novel, after all; I’m just writing a blog, and one that I’m trying to post weekly on, at that (we’ll see how long that commitment will stand for, I’m already two days past my Sunday deadline, one day later than last week). So, I really just need to give you enough that you can work with, for the time being, to make this story come alive just enough for you, that you can appreciate it. So, without writing a novel, who are the Higashis?

I’m already paragraphing.. that’s a bad sign. We’ll stick to it, though. We can do it. The Higashis are a family that I have befriended in Kikuchi. That’s description level one. If we upgrade, I can say that I met them when I first came to Ozu, as they hosted me at their home for the first four nights after my arrival. It was originally supposed to be two, but then came my first typhoon, and, knowing that I am an Indiana boy, who has yet to be indoctrinated in the ways of the natural disaster, Maki, the momma san, kindly said to me, “Why don’t you stay longer?” and so my stay was extended. It is a custom for some schools to have their ALTs stay with a host family when they first come to Japan, and I was a beneficiary of such a custom. I was lucky. Some ALTs don’t have this experience, and possibly worse, some ALTs have this experience, like my predecessor did, and they end up spending a night or two with a family in the midst of domestic turmoil, and living in squalor, and being generally ignored by the family, and coming away from it with the experience of seeing their first husband sleeping on the couch, and sighting their first cockroach in Japan. I came away from it with lifelong friends, with a new Japanese pseudo-family, who took me under their wing, and introduced to me countless sights and trips and cultural experiences that I’m sure I would never have had otherwise, and so I am extremely indebted to them, and recognize that I got, just like with my schools, and my supervisors, incredibly lucky with being connected to them. And for the time being, I think that can be enough on the origin of the Higashis, and why they are important part of the act of this play, of my time here in Japan.

I can remember that I mentioned Eichi, the father, because I know that I told you that his name, converted to English, is English #1, and it’s funny, because in the Higashi family, at least, Eichi is not English #1, or 2, or 3.. he might be competing with Haru, the seven year old, for fourth place. He is behind Maki, the momma san, who is probably #1, but is in a close race with the oldest daughter, Misaki, who is now a second year university student, who is an incredible artist, but also an incredible English speaker, and for her age I would say her level far surpasses that of her peers. Out of the Higashi children, Misaki holds a special place in my heart, because she was the only one I could have any real conversation with, when I first got here, because I couldn’t understand the kids (the real kids, Haruma and Ryouma) at all, and Suzuka, the second oldest daughter, was too shy to use her English with me. So, Misaki was my best friend, and on the various adventures I had with the Higashi family, in those early days, when all around me was essentially gibberish, Misaki was there for me, and I would wait patiently in my confusion, for Misaki’s words of clarity, of solace, of English. Maki san also speaks fluent English, but Maki san could not at all times be in attendance to me, and when she was off telling Haru to stop climbing on something he shouldn’t be climbing on, or making plans with English #1 on the smartwatch, or was in some other way preoccupied, Misaki was my go-to. When I first met the Higashis, and started teaching at Ozu High, Misaki was a third-year (the final year) there, and that’s how the connection was made, but Misaki has since moved on to university, and so unfortunately enough, she was no longer around at our hangouts, and I had to get a little more familiar with the younger Higashis, especially Suzuka. Haru, the youngest, had bonded to me pretty quickly, as much as it is possible to bond when you can exchange no to very little information verbally, but Ryouma was a bit more inaccessible, and Suzuka had just been shielded from being my best friend, as Misaki had mostly kept me at bay before, but now that she was gone, someone had to be my new best friend, and being the oldest, now a high school student, we could have conversations about more than just Splatoon and Beyblades, and so she was it. All of the children are gifted artists, which I learned, during one long car trip back from Amakusa, that probably in large part came from Maki’s father, who was an incredible painter. Misaki is now studying art at a college in Oita, the prefecture east of Kumamoto, where I go to visit Mr. Parker Junior, and has created several large paintings that are now hanging up in the Higashi home that to me look like they could be in any art museum (and at one time they were, as the art students at Ozu had an exhibition at the art museum in Kumamoto city, where I went with Maki san to see Misaki’s and the other student’s works, and that was when I learned that Ozu High school has some amazingly talented artists – my favorite work was a giant pink paper mache frog riding a moped (a real moped) overgrown with grasses and flowers).. And.. Oh boy, I’m writing a novel here aren’t I. I think I just have to move on from this, or we will never actually get to the story. Although, if I do this now, I’ll never really have to do it again.. But this part is important, and at least, I wanted to convey to you that Misaki holds a special place in my heart, and so I was very pleasantly surprised, when after not seeing her for many months, when I hopped into the car that Tuesday at noon, to head out to the south of Kumamoto, to go “camping” with the Higashi clan, I was pleasantly surprised when I looked across the table in the back of the car, to the girl sitting next to Suzuka, to ask who the new friend was, when I realized that it was Misaki, and I said, “Oh! It’s Misaki!!”

I put camping in quotes, because while it was said that we were going camping, and I was invited to go camping, and we had been talking about camping, what in actuality we were doing was not really camping, but glamping. At least, I should make the distinction, because when you think about camping, you probably don’t think about staying in a comfortable house, with a bath, and a stove, and lights, and air conditioning and heaters and futons and all that good stuff, which is what we did, but rather about staking out tents, and unravelling sleeping bags, and lighting a campfire, which is what we did not do. We have done the camping of that variety, but this time around, not only did we do the glamping, but we did it in style – we stayed at a traditional Japanese home, complete with the (let me flex some new vocabulary on you here) いろり (irori)、a cement fireplace sunken into the center of the living room, かまど (kamado)、a traditional iron stove-like thing for cooking rice, with two iron bowls for rice sitting above small chambers that are filled with wood and lit, and a 五右衛門風呂 (goemonburo, this is pronounced go-eh-mon-bu-ro), an iron, circular tub, that is filled with water, and then heated from below, by again filling a small chamber, this one outside of the house, situated under the tub, with wood and lighting it. It was wide, it was spacious, it was comfortable, it was beautiful; and that is why I call it glamping, although I know you could have all those things on a nice sunny day out in the field as well. We went a few hours down south, staying at a place up in the mountains, looking out over the flatter plains and rolling hills of the Aso-Kuju national park, and looking to the north, when the sky was clear.. I was going to say you could probably see for fifty to a hundred miles, I don’t really know – but from the point where we stayed the Kuju mountain range did not look all that far off, although it must have been at least an hour’s drive away. I don’t know how accurate any of these numbers or estimates are. You could see far. It was beautiful. And in between the mountain range, and the top of our small mountain, the land between was filled with hills, and pines, it felt like we were raised up on a small island in the midst of a forest sea, and it was all quite enchanting to look out over.

I’ve gotten to the description of our campsite, and the place where we stayed, and yet I haven’t even made it past the getting into the car, and being pleasantly surprised to see Misaki. I’m getting things a bit out of order here, I know. I got into that car then, that enormous car the Higashis have, to go glamping, although I should say that I got into that living room, because the back of that car is essentially a living room. That car consists of a driver’s seat, a passenger’s seat, and then a living room – complete with two sofas facing each other across a large table, and with a bench underneath, and a chair on the side. And riding in that mobile living room, with English #1 manning the helm, was myself, Misaki, Suzuka, Suzuka’s friend Hikari, who I have gone on several adventures with before, and almost never stops laughing, Ryouma (I didn’t mention much about Ryouma, aka Dragon Horse, he’s maybe nine or ten, is a bit shy, can eat more onigiri than me, likes volleyball and Minecraft) Haruma (aka Spring Horse, I usually just call him Haru, he is bolder than Dragon Horse, is only still when he’s sleeping, and likes to use English – we have had speed reading competitions, in English and Japanese, and he will often surprise me with.. surprise English), and finally, a 6th grader (looks like he could be in middle school) who is the son of a co-worker of Maki’s that I have spent many a barbecue and karaoke with, and who’s name I am ashamed to say that I still don’t know, as I missed my chance at the beginning of the outing to own up to the fact that I had forgotten his name, if I ever knew it, and spent the rest of the time waiting for a chance to pick it up, and never did. We have to give him a name, and I’m going to create one for him, for the purposes of this story, and it will be Mr. Glasses, as he was the only other guy wearing glasses, and he wore them well. And then, everyone in the car has been named, and I am now sitting smack dab in the middle of all of them, at the start of this adventure with the Higashis, on this noon on a Tuesday.

I am now wondering how I introduce what is to be the main drama of this scene, of these scenes, in this act, of this play. I think I just have to come out and say what it was, and let the story progress from there. There is a reason why I chose to write about this particular trip, and while I love the Higashis, and this is a good chance to introduce you to them, and I love Japanese culture, and this is a good chance to study up on that as well, neither of these things are the real reason why I chose to write this story. These are good things, but they are not what lifted this excursion up, they are not what elevated it to the status of being blog-worthy, not on their own. To make it to this page, it takes something extra, something unplanned, something unpredictable, to give the story the spice it needs to reach the stage of being worth sharing, of worth writing about. And what that something extra was, that thing that brought this out of the realm of the ordinary, and into the realm of the shareworthy, was that for the entirety of the approximately thirty-six hour window that I spent with the Higashis, on this glamping trip to southern Kumamoto, I was consistently releasing a steady stream of the deadliest, most insidious, air-defiling, lung-corrupting, soul-corroding, sickness-inducing, vitality-sapping flatulence that I have ever had in my life. I have been alive for a quarter of a century, and I have never had any kind of flatulence, that reached such a level of potency, nor for such an extended period of time, as I did over the course of these two days; and who was it to receive the brunt, who was it to bear the brunt of such an unfortunate and cursed bombardment of Hellish stinkings, but none other than the blessed Higashi family. Our entire time spent together, there was, from the first fart, not a moment, hardly a moment, where I was not stinking, where I was not defiling all air around me, the inverse of a walking air freshener, and there was almost nothing I could do about it. My mistake was this: in the day before, Monday, I had eaten an entire bag, 250 grams, (dried weight), of black beans. Before that, I had only ever eaten at most half a bag. Black beans are cheap, black beans are high in protein, black beans are delicious. I have recently been incorporating them into my diet, and that day I cooked up a whole bag, and mainly out of convenience, I ate them all over the course of the day. Eating even up to half a bag, I hadn’t noticed any serious changes in my gastrointestinal state, and so there was not any indication, there was no clue, no sign, no omen, of what was to come, and I thought nothing of this eating an entire bag, over 1000 calories of black beans, in the day before my glamping trip with the Higashis. I have now learned, the hard way, what such an act will do to me, and what it will do to those around me, because I spent the next two days, from the first fart, until the minute I finally reached home once more, thinking about how horrific the gas emanating from my bowels was, how powerless I was to stop it, and how sorry I was to everyone for dousing them with it. It was just their luck, that they happened to think, “It’s been awhile since we last saw Steven, let’s invite him to spend two days with us, with most of it confined to a small car, sitting around iroris, or otherwise crowded together in some way!” at the same time in my life that I happened to think, “I’ll eat a whole bag of black beans today!” It was nothing but fate, nothing but the moving of two great celestial bodies through the universe, on their predetermined courses, unalterable, and headed for jarring and dramatic collision.

The first fart happened early. I had probably only been in the car for a few minutes at that point, probably some time after I had recognized Misaki, and settled into my seat. I had let out a few that morning, but I hadn’t yet realized the implication of what it meant, did not yet foresee what the future had in store for me, for us, until several farts into that car ride. Trapped in that car, seated shoulder to shoulder, with the windows up, and not even a draft of wind, there was nowhere for my farts to go, but up into that stagnant air, and into my own nostrils. I could smell them before, that morning, even in my apartment, when there was room for them to disperse, where I was moving about; but in the car, I was made to bask in them, to bathe in them, and then I knew how bad they were. I was at first not so concerned, but as the farting continued, at regular, and increasing, intervals, so I continued to become gradually more concerned. We sat around the table, in the back of that cavernous car – the kids were jostling about, Haru grabbing my iPhone, asking for my password, swiping across the screens, hunting for the app store, searching desperately for games, while I repeatedly tell him, sorry kid, there’s nothing; Do you like the news? – I ask the high schoolers how their final exams went, if they got good grades in English; they both say yes, Hikari says that Suzuka is lying, a tiff ensues – I ask Misaki about college, she tells me interesting stories about working at Seven and I (the Japanese name for Seven Eleven, the Japanese are inclusive with their marketing) – we’re singing along to pop songs, anime songs, Crazy Frog songs (a play by DJ Haru), we’re drawing pictures, playing shiritori (word game) – and throughout all of it, throughout all of this, permeating the air, hovering over all activity, is a silent, sickening, undulating stink, rising in intensity in the seconds following expulsion, receding in the minutes, but always and ever present, and lingering. I am all too aware of this, and like the air, it fills my thoughts. I knew that being in the car, in such a confined space, and with the smells being of such potency, if I could smell these farts, then someone, at least one member of this crew, must be smelling them too. I was constantly consoling myself with the thought that, just maybe, no one else was noticing. It was possible, after all – I couldn’t know that they were smelling it, at least they didn’t reveal it to me. For after each puff of death gas, I would scan the room, subtly looking into the faces of each member of the car, looking for any sign, any hint, seeing if I could discern any trace of discomfort, any whiff, or reaction to such a whiff, of the stench. But, in that hour car ride to the giant stone bridge, 通潤橋 (tsuujyunkyou) I perceived no distress, and no indication that anything had been wrong at all, and certainly not that I had been the culprit of it, except for one slight movement made by Suzuka. At one point, in the middle of a peak wave of stinking, Suzuka ever so slightly appeared to be disturbed, and proceeded to check the three bags in the car, one bag with food in it, and two with trash. I noticed this – but of course, I reasoned that while there was a chance that she was searching for a source, for a cause of that hideous odor in the air, there was also a chance that she was just searching for something in one of those bags, a snack, or something she misplaced, and having nothing else to use as evidence for reasoning one way or the other, I couldn’t draw any definite conclusion. And so, upon arriving at the campground, after two or more hours of being a human stink bomb, I had escaped detection.

The car was the danger zone. The house was not so much. We were outside often, the doors were open, there were competing smells, the smells of the cooking rice, and curry, and pizza, and alcohol. But every so often, I would let out again another stinker so intense, that I would have to look around, and wonder, again, if this was the one that would finally draw a comment, if this was the one that would find me out, and I would quickly duck away in shame, and find a fresher spot to permeate with my poison. As the night progressed, and the frequency and stink of my farts refused to abate, with each one I felt an increasing urge to apologize to everyone, knowing that they had all now been thoroughly soaked in my flatulence, and had most likely been smelling it, and putting up with it, for a majority of this trip. I have a distinct memory of standing close to and across from Misaki, in mid-conversation, with Maki san, English #1, Mr. Glasses and his mom, and Hikari chan all in my immediate vicinity, and having the stench assault my nostrils yet again, and thinking, “This just isn’t right.” And it just wasn’t right. It was just wrong. I was thoroughly defiling everyone and everything around me, I had been all day, I was at that very moment, and could they smell it? As I stood there, eating my green pepper pizza, attempting to correctly say “I will slap him until he cries” (Misaki was quizzing me on the difference between the verbs 当たる、殴る、叩く – different ways to say slap, hit, beat, strike, etc.), surrounded by a chorus of chatter and giggling from the rest of the party, with that smell yet again wafting into my nostrils, I had to look her in the eyes and maintain composure, simultaneously wrestling with a series of thoughts such as: Does she not smell this too? And does she know it’s me? And should I say I’m sorry? And how do I go about doing that, exactly? It’s hard enough to make that confession in your native language – in one that you’re liable to be misinterpreted, that you’re liable to butcher, it’s even harder. And so, I said nothing, and we continued on that way, all night. Sitting around the table playing kanji karuta (kanji matching card game) with Haru and Mr. Glasses. Can they smell it? Lying wrapped in futons with Suzuka falling asleep next to me, Ryoma lounging at my feet. Can they smell it? Squatting at the fire with English #1 and his friend, talking about the perfect burn level for roasted marshmallows. Can they smell it? I felt like, this whole time, I was living a double life, like I was holding a dark secret, like I knew something that they didn’t, like I had a burden, a demon in my closet, and I desperately wanted not to be, but I couldn’t bring myself to admit it, and I couldn’t make it end, and so I had no choice but to keep the secret, keep playing the game, keep forging on, keep the torment alive.

That night, we made curry for dinner. Misaki really made the curry; I just ate it. And ate it I did. Way too much of it. This was a critical mistake. Under normal circumstances, curry can be a meal of some concern, in terms of the stink factor. For a man who is already gastrointestinally compromised, it can be a disaster. And disaster it was; I could not stop eating that delicious Golden Curry, even though I asked Misaki to stop me several times. That night, as we had started eating so late, I had made the call to break my fast (my fast was the source of much interest – I can’t say how many times I said, “十二時から二十時まで” (from 12 to 8, my fasting window), and I did learn how to say noon from this, 正午, shougo.) Apparently intermittent fasting is becoming trendy in Japan right now, and Maki san was doing it too. So fast I broke, curry I ate, and worse my gas became. I woke up the next morning to find that my gas, that was already so thoroughly putrid, that made you feel sick after a single sniff, did the impossible, and now had, on top of it all, an additional, wholly evil bite to it. When we piled back into the car, after folding up the futons, dusting off the tatamis, and taking a walk around the grounds, to see how the others glamped, and to admire the beautiful sakura; when we got back into that car, to begin the journey to Aso Farm Land, I knew then that it was only a matter of time. It was now all but impossible that I would be able to end this journey without being exposed, without my secret being uncovered. As I clambered up into the living room of that gargantuan vehicle, I aimed to take the seat in the middle, between the two sofas, and this was a strategic move – I thought that by positioning myself at near equal distance from all members of the car, there was less of a chance that the stink would be traced back to me. This seat also afforded me slightly more space, as I wasn’t immediately flanked by anyone, but had a slight gap between either sofa. As I stepped up to assume to my tactically chosen spot, English #1, in all his misguided courtesy, thought that that seat looked to be a little too small, and a little too uncomfortable for me, and so he offered to me Ryouma’s seat, and knowing that this would be doom for me, and for the rest of the car, but not wanting to ever reject his polite suggestions, I agonizingly obliged to trade seats with Ryouma; and this was doom. I was now positioned in the back left corner of the car, snuggled in next to Suzuka, and while this was a more comfortable seat, it was also the seat farthest positioned from the window, and in this tank, in this submarine of a car, that small window, in the upper right, right behind the head of the driver’s seat, that tiny porthole was the only source of solace, was the only source of deliverance, from the stagnant air that was so full of my festering. Haru was positioned right by this porthole, he was in full control of it, the life-link between the fresh, unsoiled Aso air, and the rank, defiled air of the car. Deep in the bowels of this submarine, as far as possible from this link to the outside air, where hardly a draft passed through, jammed up next to Suzuka, there was now not a single hope that I could survive this trip undiscovered, and so I took that seat that had been so generously gifted to me, and waited patiently for my end.

I say my end, but that is selfish. A farter does not often smell his own farts, and when he does, I think he is often, if ever, not able to comprehend the full strength of their foulness. What this experience must have been for the rest of the group, I could only surmise, up until that fateful moment. Pressed up against poor Suzuka, whose nose was but two feet from mine, she may as well have been farting those farts herself. I don’t know how long into that return trip it was, but after some time, after some preliminary stinking, there was a lull in activity, with the conversation between Hikari and Suzuka dying down, with Ryouma daydreaming, Haru gazing out of the window, Mr. Glasses half asleep; and in this lull, I released a gas, so sickening, so wretched, so cursed, so vile, so insidious, so pestilent, that the second it reached my nostril, I recognized that I smelled the end. This would be the one. I waited, and then I turned. Slowly, my eyes cast low, looking up just enough to be able to read Suzuka’s expression, and when I saw her begin to react, I turned fully towards her, and she towards me. With a distorted face, nose scrunched up, brow furrowed, she looked to me and said, in a voice mingled with soft desperation, burning curiosity, quite pleading, deep frustration, she said, “なに、におい?” “What is that smell?” I held her gaze for a moment – I could see the pain in her eyes. I looked down at my hands, now open, as you do when you are begging, pleading for forgiveness, and chose my words carefully. This was my time, this was where I came out with it, this was where I finally apologized, where I could begin to right the wrong, where I could somewhat atone for my sins, where I came as clean as I possibly could, while immediately bathing in such a festering, gaseous cloud. I looked up and saw the three kids, sitting across from me: Mr. Glasses, Haru, Ryoma, finding all three pairs of eyes now staring back intently into mine. Time seemed to have stopped; all was silent, everything revolving around the words I was about to speak. I looked back down at my hands, I sighed deeply, and summoning the courage, turned back to Suzuka, and said the only words I could. “僕です。本当にごめんなさい.” “It’s me. I’m so sorry.”

With these words, a spell was lifted. The oppressive stench oppressed no longer, for ignorance leads to fear, and now that the source of the horror had been discovered, there was no fear, there was no mystery, no confusion, but understanding, and words could be spoken, anger, frustration could be directed, action could be taken. That apology sparked an uproar. Suzuka’s immediate response was to hang her head, shut her eyes, and reply, as if I had just confirmed what she had been suspecting all along, “まじでーーー ” (Reallyyyyyyy). Hikari immediately burst out into wild laughter, and Mr. Glasses, recoiling in his seat, to now position himself as far away as possible from the source of all of this poison, with a pained grimace on his face, said, “くさい!” “It stinks!” By his tone of voice, I could see clearly that Ryoma had been suffering. “くさーい” he whined painfully. Haru barked at me, with passion, and a tinge of enjoyment, possibly finding the current situation, of a grown man’s embarrassingly confessing to a car full of kids about his stinky farts, amusing, “Steven くさいよ!” “Steven, kusaiyo! It stinks!” Mr. Glasses repeats, “くさい、本当にくさい。” “It stinks, it really stinks.” And all I could do was take it, each and all of their varying emotions, all of their outrage, all of their indignation, all of their derision, because they’d been putting up with it for so long, and it was their chance to strike back. I couldn’t fight it, I could only accept it. What could I do? Of course they were right; it was so, so stinky. I kept my eyes on the floor, thoroughly shamed, shaking my head back and forth. “ごめんなさい。本当に。僕は腐っている。” I’m sorry, I’m really sorry. I’m rotting” (I threw this out, using a word I had picked up from Princess Mononoke (もののけ姫), kusatteiru, rotting, decaying, festering.) Since the confession, Hikari hasn’t stopped laughing, the kids haven’t stopped calling me stinky, but Suzuka, being more mature, and perhaps feeling some responsibility for me, being a family friend, and having some small respect for me, given that I have somehow in my life managed to reach the status of Sensei, quickly recovers, and moves to relieve my embarrassment. She says, consolingly, “自己申告、ね。”Jikoshinkoku – a self-confession. As if she were saying to me, that was big of you, Steven. That must have taken a lot of courage. And I appreciated that. I had confessed, and like many who finally confess to their crimes, who bring their sins out into the light of day, to let the world judge them as it will, and to end their personal torment, on making that confession I felt as if a massive weight had been lifted off of my shoulders. We would suffer in silence no more. To confirm, as a final piece of evidence, as a final bearing that my flatulence had this whole time been as bad as I thought it had been, I ventured to ask English #1, sealed off at the captain’s helm, if he thought it was くさい (kusai) too. I knew that, given how polite he was, and how protected he was, sitting up at the front cordoned off from the rest of us stinking mongrels, if he responded in any way in the affirmative, then it was really as bad as I thought; and he did. Holding up his fingers, thumb and forefinger slightly pinched, he turned his head slightly to the left, leaned a bit back towards me, and replied, with a little hint of apology in his voice, ”ちょっと。” A bit. And with that, I had had enough. I would not torment this family any longer. Haru moved to open the porthole wider; I picked him up, and sat him down in the back, and took my rightful seat by it. Once upon a time I would have thought that this would only serve to give my fumes an added velocity, as the wind carried them on its wings throughout the car, but I have since learned from watching those COVID particle dynamic videos that having a window down can only help to diffuse and remove dangerous molecules from the air, and so I felt confident that this was the best thing I could do to somewhat rectify this sad situation, to exercise some control over it all. I wish I could say that, after that pivotal, climatic confession, that was the end of this gassy affair – but it wasn’t. I continued to fart, continued to fart all the way to Aso Farm Land, continued to fart as I petted capybaras with Suzuka and Hikari, continued to fart as I raced Haru down the steel slides meant for six year olds, bruising every bone in my body in the process, continued to fart as I laid blissfully on a flat warm rock in a cozy steaming sauna with Ryouma.. I wish I could say that I stopped farting then. I didn’t, but at least they stopped tormenting me, and perhaps all of us. Psychologically, that is, for sensually they were still every bit as pestilent as they had been at the beginning. After Aso Farm Land, I rode back to my apartment in Ozu with Maki san and Misaki, my two favorites, enjoying some nice conversation, and chowing down on squid flavored chips, now mainly in that language so comfortable to me, and still farting; and after reaching my apartment, and saying goodbye, I found myself thinking two thoughts: how nice it was to see them again, and how fun of a time we had; and how free my bowels now were to breathe out the last of their befouled breaths in the peace of my home, without guilty conscience.

I wonder what words were shared by the Higashi family that evening. I wonder if my flatulence was mentioned. It could have been as much as a single comment – “Stevenのおならは本当にくさいね。” Steven’s farts are so stinky. It could have been a greater family discussion – what was wrong with Steven? What was that? He’s never done that before – that was terrible. Do you think he’ll do that again the next time we go glamping?

I hope they do invite me back. I think it was bad enough that the next time I see them, I owe them some token of gratitude, for their inviting me, but also for their enduring me. A candle might be a nice gift.

That is then, more or less, the end of this story. I spent a third of my spring break under the worst bout of gastrointestinal discomfort that I have ever been unfortunate enough to have, and the Higashis were unfortunate enough to suffer through it with me. And yet, that was in some part the highlight of my vacation. Life is a strange thing, isn’t it? I will say that, although it was fun, I do not plan to do this ever again. I know that my social status, and my financial as well, depends on it. I feel bad for the Higashis, but thank god it was them, a family who knows and loves me, and not my poor senseis, some who love me, and some who abide with me. I can’t imagine dropping bombs like that as I skirt about the classroom, making comments on this or that worksheet, or this or that skit, leaving confusing English advice, and a deathly scent, in my wake. I have a fairly good reputation at the schools, and I still don’t think it would last long in the face of gas like that. I would be sent home on sick leave soon, and if I kept it up, let go. No, that can’t happen again..

I want to keep eating black beans. They are too good to let go – nutritionally, that is. I can try other beans, if it really comes to it.. but I think at first, I’ll adopt a three-pronged approach, of eating less beans, looking for foods that will help me to better digest the beans, and then building up a tolerance to beans. Annie said that, after hearing this story, it takes time to adapt to changes in diet, like eating thousands of calories of beans in a day. I hope that’s true, but people often say that about spicy food, that you can build up a tolerance to it; but I’ve drowned my food in enough Tabasco, and yet my tongue still winces at the touch of it. We’ll see.

So I’ve written an entire story about farting! It only took fourteen posts (is this the fifteenth?) – not long, you might be thinking. I hope that I didn’t tarnish my relationship with the Higashis too much, and I don’t think I did. Maki san has already invited me to join her in a new adventure – harvesting bamboo shoots. That sounds like work I can do, flatulence or no, and may be a good story. I would like to write about them again, with more of a focus on them, and less on their reactions, to me, and my odors. They’re a great family, like I said, which I why I felt so much the worse for doing what I did to them. But, sometimes.. 仕方がないね。It can’t be helped.

I say I’m not in the business of writing novels and yet this turned out to be another novel length post. At least it felt like that when writing it. Do you still want a quote? Do I have anything even mildly related to the theme of this story? Let me see..

In honor of finishing Moby Dick, why don’t we take a quote from it?

“For, they say, when cruising in an empty ship, if you can get nothing out of this world, get a good dinner out of it, at least.”

Or, when cruising in a flatulating body.. get a good story out of it, at least.

Until next time.. Keep your bean count low, unless you want to have such a story of your own. Or, if you’ve got a bean tolerance.

Beans beans, the magical fruit. There really is truth to it…

じゃあね!

Update: About the picture. I don’t know what that plant is (is it a grass?) but I’ve been seeing it often and I like it. And actually, I just asked Red Star Sensei what it was. It’s kumazasa – kuma bamboo grass. So it is a grass! I was struggling to choose as my picture for this post, as I somehow came away with no postable pictures from my trip with the Higashis, between this kumazasa, and the train tickets of my trip to Kurume. I thought this was sexier – who doesn’t love a good grass?

Sweetpotatoholicism さつまいも中毒

To use the greeting that I’ve recently taught to my good friend Hiroyuki the cat sensei: Howdy partners. (Actually, I only taught him “howdy”. We had a nice conversation about it after I said, “Howdy!” to him. I told him that howdy is a fun greeting, not a standard one; it’s cowboy talk. He asked me, “Do people in Texas say howdy?” And that’s how I learned that howdy is in fact a standard greeting in Texas. I am a big fan of howdy.)

A few weeks ago, I started doing something that was new for me. Well, I guess I started doing a few things that were new for me; the fasting, and the “no-poo”, being the two that come to mind. I’ve told you about those things, but I haven’t told you that I’ve also stopped buying eggs and yogurt, previously staples in my diet. And what’s in, you ask? Sweet potatoes. Pure, unadulterated, boiled sweet potatoes. Earth’s gift to man, Ozu’s gift to Steven. I think I’ve mentioned it before, but Ozu (my city) is kind of a big deal when it comes to sweet potatoes. The mascot is a sweet potato (Karaimo-kun), and the city has a sweet potato festival. I’ve missed the festival twice now – both times it’s been brought to my attention in the days afterwards. “Hey, did you go to the sweet potato festival?” This happens often (my friend Lewis asking me twice if I’ve signed up for the Japanese Language Proficiency Test after the registration window is closed) and in such situations my thought is the same. If only the question had been, “will you” and not “did you”. But I know it’s my fault, and it still happens that I have generally very little idea of what is happening in the world around me – the 3rd was a major holiday, called Hinamatsuri, which a day for celebrating and wishing for the successful growth of young girls, and is the reason why you see creepy dolls in all of the stores in the weeks prior, and I never would have known it, if a teacher had not come up to my desk and said to me, “Steven, do you know what today is? It’s Hinamatsuri,” like she just had a notion, a little inkling that popped into her head as she walked by my desk, that said, “You know, I should probably tell Steven sensei that today is Hinamatsuri.” Her intuition was spot on. But, going back to the sweet potatoes, there is no more bountiful place in Kumamoto, probably in Japan, and possibly in the world, than Ozu – at least, it is certainly the only city that has an enormous, shimmering golden statue of a happy humanoid sweet potato outside of the city hall. Last year, in the sweet potato season, I had had my share of sweet potatoes, and I enjoyed them, for a meal here and there. But this year, things are different – and the difference is entirely due to one, Chopin-playing, glasses-wearing, Ozu-High-School-student-teaching, Kuriyama sensei.

I will call her Kuriyama sensei, but she goes by many names. She introduced herself to me, as some of the other teachers have in the way that I’ve talked about before, that can increase the odds of whether I remember their names or not by about 1000%, by converting it to English, as “Chestnut Mountain.” (Kuri being chestnut, yama being mountain). I thought that was just a beautiful name, and I will still call her Chestnut Mountain at times, and I think it is fitting to her personality, as she is sweet, like some of the best chestnut flavored sweets in Japan, and solid, reliable, force of nature, like a mountain. She told me, early on, that the students had dubbed her “The Great Angel”, and this woman is as angel-like as any you will find. When I had first come to Ozu, she would frequently bring me cups of fresh coffee. I don’t drink coffee (or energy drinks, or sweets, or umaibo – a popular kids snack that I recently realized, to great delight, literally translates to “delicious stick” – or any of the commonly gifted gifts that my Japanese coworkers love to give, creating the perpetual issue of me stockpiling goodies and treats and being forced to come up with new and creative ways to unload myself of them) and so the first time she gave me the coffee, I said, “Oh, thank you so much!” and took it like a good boy, had a few sips, and then after soaking up all of the good working vibes that having a hot cup of coffee at your desk can bring you, poured it down the drain. And after the second time, I said, “Oh, thank you so much!” asked Hashimoto sensei next to me, “Want some coffee?”, took a few sips, and poured it down the drain. And this continued. It is a dance, a fine line, between knowing when to accept gifts, and when to get out of being given them. But after the fourth or fifth time, I knew – this cannot continue, and I had to come out with it and say, “Chestnut Mountain sensei, I appreciate the coffee, but you know.. I’m really more of a water guy!” Of course, the fact that she would go to the effort of whipping up of fresh cups of coffee for me was never lost on me. And after that, the daily gifting was no more – that is, until sweet potato season came around.

It’s amazing to me, when I now think about how long it’s been, but this probably started one and a half, even two months ago. One day, then, Kuriyama sensei had brought me a sweet potato. I can’t remember that first potato – I didn’t realize how significant it would be. Unfortunately I have no mention of it in my journals. At that time, I had no idea that this was the signaling of a new saga in my life. But if I could go back, there are two things I would record – when I got that first potato, and how many potatoes I have gotten since. That day, then, Kuriyama sensei came to me. “Do you like sweet potatoes?” (and actually, this is almost exactly how another story that I have for you starts, only swapping sweet potatoes for another starting-with-the-letter-s-food (it’s squid) but that’s for another time.) And I, like any self-respecting Ozuinian, replied, “Yes, I do like sweet potatoes.” She then proceeds to hand me a small, purple, plastic-wrapped sweet potato. She says to me, “Microwave it for a few seconds. Enjoy!” Now, this potato is distinct for two reasons. The first reason, which I could see immediately, is that it’s smaller than the other sweet potatoes. Compared to the usual suspects, it was about a third of the size. It looked like it been shrink rayed. The second reason, which was made clear to me when I ate it, was that it was steamed. Up until this point in my life, I had only ever eaten these sweet potatoes one way – my way, the boiled way. And, there is nothing wrong with that way; but on that day, I learned that it is an inferior way. Kuriyama sensei’s small, steamed sweet potato was unlike anything I had ever eaten before. A perfect moistness, a perfect sweetness, a perfect form, that fit right into your hand, like a purple, sweeter, mushier chicken nugget. After the second day I had received a potato, and the third day, after I had received a potato, to my utter joy, I realized that I had found myself in the same situation as before, except infinitely better. Every time a potato was bestowed upon me I showed my complete gratitude – Kuriyama sensei, thank you, this is fantastic, these are incredible, I love you. At one point I said to her, “You cook a lot of sweet potatoes!” And she said to me, “Yes, I am a sweetpotatoholic.” And at the time, I simply thought that was funny – it didn’t occur to me then, I didn’t see then what road she was taking me down. After the fourth potato, I too was addicted. In the span of two weeks I had become a full-fledged sweetpotatoholic. I wanted more – I needed to know her secrets, her dark art. The day that I devoured the fifth, after I’d gotten my fix, I crossed the staff room, walked up to her desk, and said, “Kuriyama sensei, tell me. How do I do it? How do I make the potato?” And she revealed her art to me. Unfortunately, it is a complicated art. Involving steam, newspapers, ovens. Tools of sorcery that I am not familiar with and am afraid to experiment in. She told me that the sweet potatoes I wanted were the small ones, called Beni Haruka – the other ones weren’t worth my time. Beni Haruka, a masterful name, a name imbued with class, a name I would give to my dog; perfectly fitting for such a potato. She showed me her stash – a picture of a large cardboard box filled with tens if not hundreds of sweet potatoes. I didn’t question it. I just said, “I will pay you for them. Let me buy your sweet potatoes.” And she said, “How many do you want?” To which I replied, “How many will you give me?” The next day, she showed up with four (of course, all free). After this conversation, I promptly went out and bought several bags of beautiful Benis, brought them home, and worked my own dark magic on them (I boiled them). They were phenomenal, albeit inferior. That day, my life changed.

Our conversation was a pivotal moment for both of us. Kuriyama sensei recognized, we are birds of a feather who eat sweet potatoes together. We are now bonded in sweetpotatoholicism, and she has taken it upon herself to ensure that I never get free. She doubled down on her efforts, and since that day, every single day that I have been at Ozu High School, I have received a sweet potato from her – always perfectly steamed, and wrapped in plastic. In the beginning, when she was converting me, it was simply the giving of a gift. It has since become a game. The question is no longer whether I will get a sweet potato or not on any given day, because she knows, and I know, that I am going to get a sweet potato. The question is now, how? And the ways are many. She is sly, she is cunning. She will come to my desk, to all appearances, on a matter of business, with a inquiry; an English question, an update on the club, some school news – it’s all a masquerade, a pretense, a feint, meant to draw my attention away from the sweet potato that I find myself holding in my hand at the end of it. Passing her in the staff room, she finds ways to work them into our interactions. I mention to her that I’m fasting. “Oh, you must be hungry then. You could use this.” And a sweet potato appears. I come back to my desk from a series of grueling back-to-back-to-back sessions of About Me Bingo – sweet potato is waiting there to restore me. I found that after a period of time, I had even come to rely on, to depend upon my daily sweet potato. There was a day where I had forgotten my lunch, and the first thing that I did was turn to my tantosha, Goto sensei, and say, “I’m gonna’ need that potato.” And on a day just last week, when I had again forgotten my lunch, I said the same thing, and was met with “But Kuriyama sensei is not here today.” And I was destroyed. What was a gift, then became a game, then became something even greater, even magical, a mysterious force. For there was a day, last week, where I thought I finally wouldn’t be getting the potato. Opportunities had come and gone, and I had been saving some of my chocolate for her, 86%, all day – but the potato never came. For as long as I thought sensible, I held out, but in the end I gave up hope. Today there would be no potato, there would be no exchange, and so I ate the chocolate. After I had said my “Otsukaresamadesu!” (“I’m leaving now!”) and had stamped my inkan (ink seal that I stamp on a paper that says I showed up to work), had swapped out my inside-of-school-shoes for my outside-of-school-shoes, I was halfway through the parking lot and had turned the corner of the building, and who greets me but none other than Kuriyama sensei. I give out a surprised, “Hey!” She replies with, as she conjures it up out of her pocket, “Steven sensei.. your potato!” That meeting did seem to be accidental – she expressed as much surprise as I did – but I couldn’t help but come away from it wondering if there were higher forces at work. Mystical forces. Potato forces. I’ve never felt guiltier about eating chocolate. I had given up on her; but she had not given up on me – she still had the potato.

As you can tell from the story, this is currently a big development in my life. And what I’m thinking about now, is something I’ve been thinking about recently, about how there are certain people that just make your life brighter. They have a certain shine about them, a certain radiance, a charm, an aura, and interactions with them never fail to bring some of that brightness into your day. You have a certain synchronicity with them; your cogs match, your pieces fit. I am lucky enough to have a number of those people at my schools, and in my circle, students and teachers alike. Kuriyama sensei is certainly one of those people. And it strikes me now that another one of those people is Matsuzaki sensei, at Shoyo, who also gives me daily produce. I’m seeing a theme here.. From her, I’m getting weekly dekopon, or shiranui, and this is an interesting thing, that she told me about – there are two names for the same fruit; they conduct a “special test” and if the sourness level is above a certain threshold, it’s declared a dekopon, and if it’s at or below, a shiranui. I could have them switched. I probably have them switched. In both cases, they are one of the greatest citrus fruits you could possibly grace your tastebuds with. (I’ve typed tastebuds and autocorrect is telling me I’m wrong. I won’t change it – I like tastebuds as one word.) But, about these bright people.. I think about this now, I think more acutely, because I know that some of them will be gone soon. In Japan, the school year ends in the spring. The third years have already graduated (there are three grades in Japanese high schools). The new school year will start in April. At the end of March, the teachers will leave, and new teachers will come in their place. This is a quirk of the Japanese school system – teachers are rotated throughout the prefecture. They typically work at a school for a few years, but they can for as many as ten or more, in rare cases. My tantosha, who is one of these lights, will be leaving. So will Matsuzaki sensei, who has done her duty and will now be enjoying the freedom of retirement (she’s very excited about this). I knew about their leavings, but I was caught by surprise this week in a conversation with Kuriyama sensei and Hayashi sensei, after Ozu’s graduation ceremony. Hayashi sensei is having a baby (due in two months, she hid it well, I never noticed) and Kuriyama sensei has worked at Ozu for ten years – she’s on the chopping block. I asked if she would get another year, and she said to me, “Do you think Kouchou sensei likes me?” (Ultimately, it is the kouchou sensei’s (principal’s) decision, who stays and who leaves). I asked for a percentage and she gave me 50%. The winds of change blow strong this spring. If she goes, it will be the end of an era.

I wish they would stay! But, so is life. The world is ever in flux. Sweet potato season doesn’t last forever – but when it goes, new seasons take its place. Specifically, I think it will be nashi season soon (the Japanese pear). And that’s an interesting fruit, kind of an apple-pear hybrid, with the skin, color, and flavor of a pear, but texture and shape of an apple. I embrace nashi season with open arms!

It’s funny – I started this post by saying that I started something new a few weeks ago – and I haven’t even told you what it was. I’ve spent this whole time talking about Chestnut Mountain and her sweet potatoes. That sums up about perfectly how I write these things. Each one is a creation, as unpredictable as the shape of an island after the eruption of a deep-sea volcano. And what I had wanted to tell you in the beginning was completely insignificant – it was just the capstone, being blown off by the pressure that had built up inside that crusty, magma-laden chamber. Still, we’ll get to it, but not tonight. This magma has cooled!

I’d like to leave you with a quote. Recently these words from Ralph Waldo Emerson’s Essays have been resonating with me.

“If you are true, but not in the same truth with me, cleave to your companions; I will seek my own. I do this not selfishly, but humbly and truly. It is alike in your interest, and mine, and all men’s, however long we have dwelt in lies, to live in truth.”

That’s it! I have added a widget that enables you to be notified by email whenever I post, if you’d like to do that. It should be right under these words. It is also now easier to find my blog. If you just search maninjapan.jp you’ll find it. Apparently, it was hard to find my blog via searching, there being many other man in Japan blogs (one man, garbage man, and tallest man; we should form a coalition of men in Japan). I still don’t think I show up in the search, but everyone can remember maninjapan.jp, especially me, which means I can now tell my friends how to actually get here, instead of going through the whole, “Well just search it! No no, not onemaninjapan. No, I’m not garbagemaninjapan! There’s nothing special about me! Just maninjapan! What do you mean I’m not showing up!”

Anyways.. Jya mata ne!

UPDATE: She came today. I’m deep in reading NHK Easy News. I hear, “Oh! You have plenty of food.” *Noting my stack of apple, mikan, chocolate, and cereal/nut/seed mix* She casually places a potato on my desk. Before I can even say thank you she’s moving on, and I say, “Hey, wait, wait.” And put a piece of chocolate in her hand. When this is all said and done I might just have to show her this post.